MacCunn, Hamish, 147 MacCunn’s _Diarmid_, 148; _Jeanie Deans_, 148, 159 Macfarren, 96 Mackenzie, 145, 147 Mackenzie’s _The Cricket on the Hearth_, _The Troubadour_, 147 Malibran, 204 Manners, Charles, 160, 161 Marschner, 14, 60, 78, 79 Marschner’s _Der Vampyr_, _Hans Heiling_, _The Templar and the Jewess_, 79 Mascagni, 130, 131-132 Mascagni’s _Cavalleria Rusticana_, 132, 170, 206; _L’Amico Fritz_, _I Rantzau_, _Iris_, _William Ratcliff_, 133 Masque, the, 187 Massé, Victor, 90 Massé’s _Paul et Virginie_, 90 Massenet, 141, 142 Massenet’s _Esclarmonde_, _Hérodiade_, _Le Cid_, _La Jongleur de Notre Dame_, _La Navarraise_, _Le Roi de Lahore_, _Manon_, _Thaïs_, _Werther_, 142 McLean, Alick, 148 Méhul, 83 Méhul’s _Joseph_, _Uthal_, 83 Melody, Adoption of, 10 Melos, 16, 26, 30, 116; Modern, 117 Mendelssohn, 59, 60, 61 Mendelssohn’s _Lorelei_, _The Wedding of Camacho_, 60 Mercadante, 72 Merimée, 210 Messager André, 144 Metastasio, 207 Meyerbeer, 60, 85-87, 98, 101, 169, 173, 175, 176, 194, 207 Meyerbeer’s _Dinorah_, _L’Africaine_, _Le Huguenots_, _Le Prophète_, 87 Michael’s _Utal_, 195 Mixed language singing, 190 Monodic style, 38 Monsigny, 82 Monteverde, 9, 19, 20, 31, 39, 48, 71 Moody, Madame Fanny, 160 Moody-Manners Company, 158, 160 “Moresca” from Monteverde’s _Orfeo_, 39-40 Moussorgsky’s _Judith_, 125 Mozart, 13, 14, 24, 27, 44, 51-55, 61, 62, 63, 65, 66, 70, 76, 77, 78, 168, 205, 207 Mozart’s _Die Entfurhrung aus dem Serail_, _Idomeneo_, 54; _Don Juan_, 54, 205; _Magic Flute_, 54, 195; _The Marriage of Figaro_, 54, 177; _Cosi fan Tutte_, 177; _Zauberflöte_, 177, 196; _Don Giovanni_, 124, 170, 178, 195 Munich, 179 Musical comedy, 186 Musical empiricism, 12 Music, Emotional effect of, 34; an accessory, 5; polyphonic, 33 _Muzio Scevola_, 190 Napoleon I., 199, 200 Naumann, 84 Naylor, Dr. Edward, 161 Neapolitan school, the, 64 Nepravnik, 127 Nessler, 140 Nessler’s _The Trumpeter of Sákkingen_, 140 Nicolai, 78, 79 Nicolai’s _Merry Wives of Windsor_, 79