The story of operaLee, E. Markham (Ernest Markham)
History
The story of opera
Lee, E. Markham (Ernest Markham)
Opera
In the present work an attempt has been made, so far as space has
allowed, to give some brief account of every notable School of Opera
of which anything is known. It is not claimed that the advance of
the Art will not necessitate constant additions to or alterations of
these pages. Even in the short space of time that has elapsed since
the body of this book on Opera was written, such features as the
rise in popularity of Puccini’s operas, or of such modern works as
Debussy’s _Pelleas and Melisande_, the permission of the censor to
play Saint-Saëns’ _Samson and Delilah_ on the English stage, and the
slight wane in interest on the part of the English public for Wagner’s
operas, have made imperative the rewriting of many paragraphs and the
modification of others.
Every attempt, however, has been made to bring the book up to date, and
if in the Chapters on Modern Operas and in the Appendices there may be
omitted names which some may consider should have been included, it
must be borne in mind that in the twentieth century opera composers
spring up like mushrooms, and often disappear from public gaze with
equal rapidity. Works of bygone generations can be criticized and
placed as successes or failures, but in these days of strenuous output
one cannot speak with any certainty as to what is ephemeral and what
is enduring. Our own times are too close to us, and must be left for
future historians to pronounce judgment upon. Hence only the most
notable and brilliant successes amongst modern operatic works are,
generally speaking, recorded.
It is hoped that the Chapters on “What is Opera?” and “How to listen
to and enjoy Opera” may touch to some extent on new ground and may be
helpful to the amateur. Appendix A has entailed an enormous amount
of work, and although it contains, of course, nothing that cannot be
gathered from other sources, it is trusted that the information thus
compiled and placed under one heading may be of use and of interest to
the student of Opera. The tabulated State Grants in Appendix B will
show, what is perhaps not generally known, how badly off England is in
this matter as compared with many other countries.
The book is offered in all sincerity to those who care to read it.
There are, possibly, mistakes and errors. If this be so, I will ask
my good friends to point them out to me, in the hope of my having an
opportunity of availing myself of such corrections in a second edition
of this work.
E. M. L.
WOODFORD GREEN,
_November 1909_.
Contents.
Public-domain text, read in full here on John Shaqi.
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