Hitherto, at least, the nobles had been one party, fighting for one
cause. But now that the cause was won, now that their own supremacy had
been attained, they began to fight amongst themselves. They hated each
other with a mortal hatred. We no longer hear of fights between nobles
and burghers, but of passionate blood-feuds between the nobles
themselves: between the Oddi, Corgna, Staffa, Arciprete, Baglioni, and
others, and next we read of cousins murdering each other for the sake of
mere ambition. The slightest pretext is seized upon for a skirmish
between the men who, through centuries, had stood together in opposition
to the outside world. A hundred instances are given of their quarrels at
this period. The Della Corgna by way of an example, are one day
preparing to enhance the solemnity of a feast-day by decorating the Arco
dei Priori with box and laurel boughs, and are interrupted in their
pious labours by the Degli Oddi, who begin to pull down the decorations.
There is some dispute about precedence, in their quarter of the
city--some trifling question as to which family has most right to manage
the local festival, a bitter fight ensues, and the whole town is in a
tumult.
Again on another occasion, one of Ridolfo Baglioni's bastard sons wounds
a certain Naldino da Corciano, a friend of the Degli Oddi, and Naldino
hurries off to show his bleeding face to his allies. The Oddi, mad with
fury, rush all armed to the piazza, striking at every Baglioni adherent
whom they meet upon their way. The Baglioni are not slow to appear, as
ready for the fight as anybody. The shops are closed, the citizens arm
themselves, a procession wending its way to the Duomo is thrown into
utter disorder, and even the women thrust their heads out of the windows
and throw down jugs and tiles and pitchers into the street below. The
Bishop, the _Priori_, and the learned doctors of the law leave their
houses and exhort the nobles to lay down their arms; and after a while a
truce is obtained, and the hubbub for the time subsides.
Public-domain text, read in full here on John Shaqi.
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