By a rare coincidence it happened that exactly at this period, _i.e._,
during the ascendency of the Baglioni, there was living in the city of
Perugia a scholar by name Matarazzo or Maturanzio.[23] This scholar took
upon himself to record day by day the extraordinary exploits of a family
in whose good looks and deeds of violence, their jousts and subterfuges,
he may be truly said not only to have delighted but to have revelled.
To understand the Baglioni and the fashion in which they were regarded
by the men of their day: terror, hatred, fear, and a cringing admiration
being pretty well mixed, one must study the chronicles of Matarazzo in
the original.[24] But as it would be impossible, and even impertinent
for us to try and retell the tale of this tragic history in new English
words, we have quoted at length the words of one who studied it
faithfully and recorded it with a strange vibrating echo of the original
language.[25] We have merely inserted here and there a few notes and
details which seemed to add to the narrative.
"It is not until 1495 that the history of the Baglioni becomes
dramatic, possibly because till then they lacked the pen of
Matarazzo. But from this year forward to their final extinction,
every detail of their doings has a picturesque and awful interest.
Domestic furies, like the revel descried by Cassandra above the
palace of Mycenæ, seem to take possession of the fated house; and
the doom which has fallen on them is worked out with pitiless
exactitude to the last generation. In 1495 the heads of the Casa
Baglioni were two brothers, Guido and Ridolfo, who had a numerous
progeny of heroic sons. From Guido sprang Astorre, Adriano--called
for his great strength Morgante--Gismondo, Marcantonio, and
Gentile. Ridolfo owned Troilo, Gianpaolo, and Simonetto. The first
glimpse we get of these young athletes in Matarazzo's chronicle is
on the occasion of a sudden assault upon Perugia made by the Oddi
and the exiles of their faction in September 1495. The foes of the
Baglioni entered the gates and began breaking the iron chains,
_serragli_, which barred the streets against advancing cavalry.
None of the noble house were on the alert except young Simonetto, a
lad of eighteen, fierce and cruel, who had not yet begun to shave
his chin. In spite of all dissuasion, he rushed forth alone,
bareheaded, in his shirt, with a sword in his right hand and a
buckler on his arm, and fought against a squadron. There at the
barrier of the piazza he kept his foes at bay, smiting men-at-arms
to the ground with the sweep of his tremendous sword, and receiving
on his gentle body twenty-two cruel wounds. While thus at fearful
odds, the noble Astorre mounted his charger and joined him. Upon
his helmet flashed the falcon of the Baglioni with the dragon's
tail that swept behind. Bidding Simonetto tend his wounds, he in
Public-domain text, read in full here on John Shaqi.
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