"After the death of Grifonetto and the flight of the conspirators, Gianpaolo took possession of Perugia. All who were suspected of complicity in the treason were massacred upon the piazza and in the cathedral. At the expense of more than a hundred murders, the chief of the Baglioni found himself master of the city on the 17th of July. First he caused the cathedral to be washed with wine and reconsecrated. Then he decorated the Palazzo with the heads of the traitors and with their portraits in fresco, painted hanging head downwards, as was the fashion in Italy. Next he established himself in what remained of the palaces of his kindred, hanging the saloons with black, and arraying his retainers in the deepest mourning. Sad, indeed, was now the aspect of Perugia. Helpless and comparatively uninterested, the citizens had been spectators of these bloody broils. They were now bound to share the desolation of their masters. Matarazzo's description of the mournful palace and the silent town, and of the return of Marcantonio from Naples, presents a picture striking for its vividness.[34] In the true style of the Baglioni, Marcantonio sought to vent his sorrow not so much in tears as by new violence. He prepared and lighted torches, meaning to burn the whole quarter of S. Angelo; and from this design he was with difficulty dissuaded by his brother. To such mad freaks of rage and passion were the inhabitants of a mediæval town in Italy exposed! They make us understand the _ordinanze di giustizia_, by which to be a noble was a crime in Florence. "From this time forward the whole history of the Baglioni family is one of crime and bloodshed. A curse had fallen on the house, and to the last of its members the penalty was paid. Gianpaolo himself acquired the highest reputation throughout Italy for his courage and sagacity both as a general and a governor." Gianpaolo is the last member of the Baglioni brood who succeeded in ruling over his native city, maintaining the despotic traditions of his predecessors by a system of unconscionable brutality. The personality of this tyrant is strongly brought forward in Italian histories. Frolliere gives the following account of the fascination of the outward man: