Much has been said about the reception of Pocahontas in London, but the contemporary notices of her are scant. The Indians were objects of curiosity for a time in London, as odd Americans have often been since, and the rank of Pocahontas procured her special attention. She was presented at court. She was entertained by Dr. King, Bishop of London. At the playing of Ben Jonson's “Christmas his Mask” at court, January 6, 1616-17, Pocahontas and Tomocomo were both present, and Chamberlain writes to Carleton: “The Virginian woman Pocahuntas with her father counsellor have been with the King and graciously used, and both she and her assistant were pleased at the Masque. She is upon her return though sore against her will, if the wind would about to send her away.” Mr. Neill says that “after the first weeks of her residence in England she does not appear to be spoken of as the wife of Rolfe by the letter writers,” and the Rev. Peter Fontaine says that “when they heard that Rolfe had married Pocahontas, it was deliberated in council whether he had not committed high treason by so doing, that is marrying an Indian princesse.” It was like James to think so. His interest in the colony was never the most intelligent, and apt to be in things trivial. Lord Southampton (Dec. 15, 1609) writes to Lord Salisbury that he had told the King of the Virginia squirrels brought into England, which are said to fly. The King very earnestly asked if none were provided for him, and said he was sure Salisbury would get him one. Would not have troubled him, “but that you know so well how he is affected to these toys.” There has been recently found in the British Museum a print of a portrait of Pocahontas, with a legend round it in Latin, which is translated: “Matoaka, alias Rebecka, Daughter of Prince Powhatan, Emperor of Virginia; converted to Christianity, married Mr. Rolff; died on shipboard at Gravesend 1617.” This is doubtless the portrait engraved by Simon De Passe in 1616, and now inserted in the extant copies of the London edition of the “General Historie,” 1624. It is not probable that the portrait was originally published with the “General Historie.” The portrait inserted in the edition of 1624 has this inscription: Round the portrait: “Matoaka als Rebecca Filia Potentiss Princ: Pohatani Imp: Virginim.” In the oval, under the portrait: “Aetatis suae 21 A. 1616” Below: “Matoaks als Rebecka daughter to the mighty Prince Powhatan Emprour of Attanoughkomouck als virginia converted and baptized in the Christian faith, and wife to the worth Mr. job Rolff. i: Pass: sculp. Compton Holland excud.”