"Hundreds and hundreds of years ago," said Mr. Croyden, "while the
Egyptians, Assyrians, Greeks, and Romans were experimenting at
pottery-making, the Chinese, inside their great walled country, were
busy with the same task. In fact as far back as two thousand years
before Christ the Chinese were famous potters, making earthenware of
such fine quality that it was difficult to tell whether it was pottery
or porcelain. For the two are quite different, you must remember,
Theo. It is not enough to say that pottery is thick and porcelain
thin, for much of the Chinese and Japanese pottery is very thin
indeed. The difference lies in the clay itself, of which the ware is
made. Do not forget that. Pottery is an opaque ware composed of
various combinations of clay which afterward may or may not have a
coating of glaze put over it. But genuine porcelain is made from a
mixture of quite different materials--a mixture of decomposed feldspar
known as kaolin, and petuntse."
Mr. Croyden paused a moment.
"There are of course so-called porcelains made from other ingredients;
but we call them soft paste chinas, and do not rate them as true
porcelains. Only a hard paste, or kaolin ware, is acknowledged by
experts to be genuine porcelain. Now all this sounds very simple. By
putting the kaolin and the petuntse together in the right proportions,
moulding the clay, and afterward applying to it a glaze of some sort
the Chinese made their porcelain, and very beautiful porcelain it
was. Some day I will tell you more about it. This porcelain was not
only very hard but was semi-translucent; by that I mean that if it was
held to the light one could see the glow through it. It was not, of
course, transparent like glass. These two qualities of hardness and
translucence help us to distinguish porcelain from pottery."
Again Mr. Croyden stopped.
"For example, Canton ware, commonly known as Canton china, is not
really china at all, but is instead a fine quality of stone, or
earthenware, coated over with a slip or glaze containing porcelain.
Nor is the exquisite Satsuma ware china; that too is a pottery."
Theo listened intently.
"Now all this time the Chinese kept the secret of how they made their
wares to themselves, not sharing their knowledge with any outside
peoples. Many a nation would have given almost anything to know from
what materials the beautiful bowls, vases, and dishes were made. It
would have saved years and years of the toil of patient men. But the
Chinese had no mind to tell any one. Instead, they went on making more
and more pottery and porcelain, improving their work with each
successive generation. It is amusing to recall that while our
ancestors in England were barbarians, and were eating out of the
crudest clay vessels or from trenchers of wood, the Chinese were
enjoying the luxury of the finest pottery and porcelain."
Theo's eyes opened very wide.
Public-domain text, read in full here on John Shaqi.
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