Rouen (France) -- Description and travel; Rouen (France) -- History
The sad young figure of this Spanish princess, brought up against her
will from sunnier courts into the midst of Merovingian brutality in
the dark palaces of Neustria, is one that affected many minds with
compassion for her fate. The story of the crystal lamp that hung above
her tomb in Rouen, which fell upon the marble pavement, yet was
neither broken nor extinguished, was but a poetical expression of the
universal pity.[2] In the heart of her sister Brunhilda pity flamed
rapidly into revenge. Sigebert was enlisted on the side of justice,
and Gunthram quickly followed him, with the object of making peace
between his brothers. The King of Neustria was condemned to forfeit
certain cities as punishment for the murder of his queen.
[Footnote 2: Gregory of Tours, H.F., iv. 28. "Post cuius obitum Deus
virtutem magnam ostendit. Lichinus enim ille, qui fune suspensus coram
sepulchrum eius ardebat, nullo tangente, disrupto fune, in pavimentum
conruit, et fugientem ante eam duriciam pavimenti, tanquam in aliquod
molle aelimentum discendit, atque medius est suffusus nec omnino
contritus."]
But the blood of Galeswintha still cried out for vengeance from the
ground, and the horrible series of murders that filled the century
began with Hilperik's unwarranted aggressions on the territory of his
brother Sigebert. Long months passed in pillage, in ineffectual
attempts at reconciliation, in perpetual reprisals. At last Brunhilda
rose and insisted that her husband should make an end with the
murderer of her sister. So Sigebert and his army moved forward to a
combined attack and chased Hilperik to the walls of Paris. Thither,
when Fredegond and her husband had fled to Rouen and then to Tournai,
Brunhilda came southwards to meet the conqueror who soon marched north
again to be crowned at Vitry, leaving his wife behind to guard the
capital in triumph. Now came Fredegond's opportunity. For when
Hilperik was besieged by Sigebert in the city of Tournai and sore
pressed, Fredegond saw her enemy delivered into her hand. "La femme,"
say the chronicles of St. Denis (III. 3 and 4) "pensa de la besogne la
ou le sens de son seigneur faillait, qui selon la coutume de femme,
moult plus est de grand engieng a malfaire que n'est homme." By some
diabolical trick of fascination she persuaded a pair of assassins to
penetrate into Sigebert's camp, armed with a "scramasax" she had
herself provided. They murdered him as he sat at table, and were
instantly cut to pieces by the courtiers.[3] Fredegond always managed
to get inconvenient witnesses out of the way. Hilperik at once took
advantage of the confusion to march on Paris, and the horror of
Brunhilda may be imagined as she realised that the murderer of her
husband and of her sister was approaching the city in which the widow
and her three orphans were defenceless. Her son (afterwards the second
Hildebert), was then but five years old, and by the help of Gundobald
Public-domain text, read in full here on John Shaqi.
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