On their way from Jerusalem to Bethlehem, so this added legend runs, the three kings came across an old woman who was cleaning up her house. [Illustration: The Adoration of the Magi. Painting by Fra Angelico.] She asked them whither they were going. And when they told her that they were on their way to pay homage to the new-born King of the Jews she prayed them to tarry until she had finished her task. “Fain would I go with you,” she pleaded, “and join in your homage.” “Nay,” replied the kings, “we have no time to wait. But leave your work and come with us.” The old woman refused to leave her work until it was all finished. Then it was too late. She strove, indeed, to follow the kings, but they were lost to sight. Ever since that day she has been wandering about the earth seeking for the child Jesus. And on the eve of the Epiphany she comes down the chimneys of the houses, leaving gifts for the little ones, as the kings left gifts for the infant Jesus, and hoping against hope that she may find Him whom she still seeks. In Italy she is known to this day as the Befana (a corruption of Epiphania, the Italian for Epiphany) and in Russia as the Baboushka or little old woman. On the eve of Epiphany, Italian children hang up their clothes, after carefully emptying the pockets, around the huge fireplaces which are common both in palaces and in hovels. During the night the Befana comes down the chimney, just like Santa Klaus on Christmas eve. If the children have been good, she stuffs their pockets full of candies and other presents, but if they have been bad all they get from her are charcoal ashes or birchrods. In Spain, however, it is not the Befana nor the Baboushka, but one of the three kings, no less a person indeed than Balthazar, who is the gift bearer. On the eve of the Epiphany children leave their shoes and boots out in some convenient spot near the chimney, expecting Balthazar will fill them during the night. From early times he has been represented as a blackamoor or negro. But not from the earliest. In the pictures by Giotto and Fra Angelico representing the Adoration of the Magi, Balthazar is shown as a white man. In a picture on the same subject by Bernardo Luini he appears with the woolly hair, black face and thick lips of the negro. Somewhere between the time of Fra Angelico and Bernardo Luini, Balthazar changed his skin and became a colored gentleman. In many Italian cities, it is the custom of shop-keepers to decorate their windows with puppets meant to represent the three kings. Conspicuous among these grins the black face of Balthazar. There is a poem by the famous Dean Trench which was probably suggested by Luini’s picture. Here are some of the most striking lines. They will show you how closely the poem follows the picture: [Illustration: The Adoration of the Magi. Painting by Veronese.]