The other pictures by Murillo are the Infant Saviour, the Annunciation, and the San Juan de Dios. In the last painting the saint, assisted by an angel, is bearing a sick man to the hospital. Christ feeding the Five Thousand (_Pan y Peces_) and the Young John the Baptist are large pictures, showing Murillo's broad method. The curious paintings by Juan Valdés Leal are described in the chapter on 'The Artists of Seville.' They are at the west end of the church. The court through which one enters the hospital is very handsome, and a good example of the Sevillian _patio_. A Sister of Charity conducts the visitor to the wards and to the council room of the institution. The sick and the convalescent recline upon their beds, and there is a hush in the long chambers. The patients are all men. They appear to be well cared for, and the wards are clean and sunny. In the Plazo de Alfaro, number seven, is the house where tradition states that Murillo lived. From the Plaza de Giralda follow the Calle de Barceguineria, and take the second street on the right hand side, passing the Church of Santa Teresa. Turn to the right at the end of the Calle de Santa Teresa. Murillo's house is in a corner of the Plaza de Alfaro. It is now occupied by the Señores López Cepero, two cultured and courteous brothers, the nephews of a greatly respected dean of the Cathedral, who in his day collected a number of fine pictures, and did much to encourage artists in the city. Don Juan Maria López Cepero speaks English well. I paid three visits to the historic _casa_ that he inhabits, and he told me that his house was open to all lovers of art who desire to see his collection of pictures. In the chapter on Sevillian artists will be found descriptions of some of the oil paintings in the Casa Murillo. Don J. López Cepero showed me his beautiful garden, with its Moorish bath, frescoed walls, rose trees and carnations. The _patio_ is planted with palms, and on the walls are pictures. The mural paintings in the garden have been attributed to Luis de Vargas; but they are unfortunately almost obliterated. At the end of a long salon, covered with pictures, is the room wherein Murillo is said to have died on April 3, 1682. I am indebted to Don López Cepero for the opportunity of seeing his valuable pictures, for the information which he gave me concerning books upon Seville by Spanish authors, and for the permission granted to my collaborator to reproduce some of the paintings in photography. His services to me were most valuable, and I now repeat my thanks for his assistance.