The oppression of the Moriscoes in the city became severer in the days of Philip II. Doubt was cast upon the genuineness of belief among the 'reconciled' Moors, and they were bidden to cease reading books in the Arabic language, to abandon their ceremonies, to change their mode of dress, and to speak in Spanish. The public baths, built by the cleanly Moriscoes, were destroyed in every city, and the _Mudéjares_ were even forbidden to bathe in their own houses. These mandates exasperated the Moriscoes throughout Andalusia. They rebelled and fought desperately; but after frightful bloodshed and suffering, they were quelled and broken down, never to regain their ancient sway. The suppression of the heretics was complete by the time of Philip III. And at this time began the decline of Seville's prosperity. When Philip V. reigned, the sixteen thousand looms of the city had been reduced to less than three hundred, and the population was thinned to 'a quarter of its former number of inhabitants.' In the fruitful district around Seville the vineyards and olive gardens were in a state of neglect, and fields once fertile became wastes. Trade declined rapidly with the extirpation of heresy. The industrial population was deprived of its most skilful and industrious members when the last band of Moriscoes quitted the city. In the seventeenth century Andalusia suffered fearful poverty. Whole villages were deserted, the land was going out of cultivation, and the tax-collectors were enjoined to seize the beds and such wretched furniture as the indigent peasants possessed in their cheerless houses. When Philip II. died, loyal Seville honoured the departed King by a magnificent funeral service in the Cathedral. A monument, forty-four feet square, and forty-one feet in height, was designed by Oviedo, at a cost of fifteen thousand ducats. Montañes, the famous sculptor, whose work is to be seen in several of the Seville churches, produced some of the statuary to adorn the monument, and the young Pacheco, then unknown, assisted in the decoration. On November 25, 1598, the mourning multitude flocked to the dim Cathedral. While the people knelt upon the stones, and the solemn music floated through the long aisles, there was a disturbance among a part of the congregation. A man was charged with deriding the imposing monument, and creating a disorder in the holy edifice. He was a tax-gatherer and ex-soldier of the city, named Don Miguel de Servantes Saavedra. Some of the citizens took his side, for there was a feud between the civil and ecclesiastical authorities of Seville, and the tax-gatherer had merely shown public spirit. The brawler, whom we know as Cervantes, was expelled from the Cathedral with his companions, and order was restored. But he had his revenge. He went to his room and composed a satirical poem upon the tomb of the King, which was soon published and read everywhere in the city. Here is one of the English translations of the poem:--