The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
On the right is the Palazzo Piccolomini "delle Papesse," adorned with
the arms of the Piccolomini and now occupied by the Banca d'Italia,
begun in 1460 by the sister of Pope Pius II., Caterina Piccolomini, who
in the October of that year petitioned the Signoria for exemption from
the Gabella for the various stones and marbles required, on the grounds
that "the said Madonna Caterina intends and wishes to make the said
house in the most noble fashion and with great cost, to the honour of
this magnificent city and of your Magnificences and lofty
Lordships."[133] In style it shows a peculiar harmonising of the Sienese
Gothic with the domestic architecture of the Florentine Quattrocento.
The façade is an effective combination of a rusticated basement with
smooth grey stone above. The original designer was probably Bernardino
Rossellino, the Florentine master whom Pius was employing at Pienza, the
actual architects Antonio Federighi and Urbano da Cortona. The work was
interrupted in 1472, owing to Madonna Caterina's lack of means, and
finished in 1595 by the Archbishop Ascanio Piccolomini. In the days of
this latter genial prelate the palace was a great centre for social
gatherings, "to hearken to gracious discussions, judicious discourses,
and also disputations touching every noble matter."[134]
Beyond the Palazzo delle Papesse is the Palazzo Marsili, a Gothic
edifice in red brick--one of the oldest in Siena, but practically
rebuilt by Luca di Bartolo in the middle of the fifteenth century.
Between these two, the Via del Castoro leads up through the abandoned
façade into the Piazza del Duomo. In the days when it was proposed to
build the new Cathedral, the Palazzo delle Papesse naturally did not
exist, and in its place there would have been a piazza with the chief
approach to the Duomo. At the end of the Via di Città is the grey
tower, half stone and half brick, of the Forteguerri de' Grandi, one of
the oldest noble families of Siena, which was originally connected by a
bridge with the palace opposite, which was also of the Forteguerri
(later one of the numerous palaces of the Piccolomini). It was here that
Niccolò Borghesi was murdered in June, 1500. He was returning from Mass
at the Duomo with several armed servants--for he had been warned that
Pandolfo was meditating violence--and passing down the Via del Capitano,
when Pandolfo's emissaries set upon him, killed his servants on the
spot, and left him with just enough life to crawl to the foot of the
tower, where he was taken into the house of Giovanni Borghesi, to die
with that harmonious blending of the devout Christian and the Stoic
philosopher that had characterised him throughout.
Public-domain text, read in full here on John Shaqi.
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