The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
The Via di Città ends in the Piazza di Postierla, whence the Via del
Capitano, Via Stalloreggi, and Via di San Pietro diverge. There is a
"Lupa" of the Quattrocento in the square, with a banner-holder in the
fine metal-work of the same epoch. In the fifteenth and sixteenth
centuries the Postierla was a favourite resort of the Sienese nobility,
one of the most fashionable places in the city. During the siege, the
four ladies of Scipione Bargagli's _Trattenimenti_--Clarice, Celia,
Olinda and Clizia--met in Clarice's house, which was one of those with
windows that looked out upon the Postierla. They were "all certainly as
young and pleasing, as they were clever and honest"; and, it being the
Sunday of the Carnival, they resolved, in spite of the cruel enemies of
the Republic, to keep the three days of the Carnival, as Clarice
suggested, "with some form of pleasant and gentle conversation,
according to what will be most agreeable to us all." But men were needed
to make the plan a success. "Indeed," said Celia, "our delight, however
great, would not have its savour unless the presence, at once grave and
sweet, of a man brought its condiment to it." And at that moment there
appeared five young men of the city, coming up the street, of course as
wise and admirable as they were rich and noble. "In these ardent youths,
neither hardships nor loss of means, nor of parents or friends, nor the
danger that hung over themselves, had ever been able to cool, much less
quench, that quick amorous fire wherewith they, without any fuel, bore
their breasts inflamed." At this sudden apparition the ladies gave
devout thanks to Heaven in their hearts, and the _bella ragunanza_ was
complete.
On the right of the Postierla is the handsome palace built by the Chigi
in the latter part of the Cinquecento. In the Via del Capitano, on the
left, is the palace where the Capitano della Guerra or Senatore resided,
during the thirteenth and fourteenth centuries.[135] Under its
battlements runs a series of coats of arms of these captains or
senators, among which the student of Dante will recognise the Lion of
the Ordelaffi and the Column of the Colonna. The palace has been
completely restored. The cortile, with a staircase guarded by the Lion
of the People, somewhat resembles--on a smaller scale--the Palazzo del
Podestà at Florence. The palace (which now belongs to the Count
Piccolomini della Triana, as the arms on the shield which the Lion holds
indicate) was sold by the Republic in the fifteenth century to Tommaso
Pecci, one of the leaders of the Noveschi. In his days it was a centre
of gay courtly life, and when distinguished visitors, especially those
of the gentle sex, passed through Siena, they were usually entertained
by the Republic in this palace. That noblest of ladies of the
Renaissance, Eleonora of Aragon (the sister of Duke Alfonso of
Calabria), on her way to Ferrara to become the wife of
[Illustration: THE TOWER OF SANT' ANSANO]
Public-domain text, read in full here on John Shaqi.
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