The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
there a sudden glimpse of a rose garden, or a fig tree in a little
cortile bending its branches over the way. In the less picturesque Via
San Quirico is the church of San Quirico, perhaps the oldest in Siena,
but now modernised. By the side of it, an irritating piece of wall cuts
off what should be a superb view of the Duomo. In the same street are
the remains of the little church of Sant' Ansano in Castelvecchio, which
was possibly the first baptistery of Siena and of which there is
documentary evidence as far back as the year 881.[139] Near it stands an
old tower, the Rocchetta, which is probably the only remnant of the
first castle and certainly the most venerable piece of masonry left in
Siena; according to the legend, it was here that St Ansanus himself was
imprisoned by the Roman governor before his martyrdom. In the Via delle
Murelle (now Via Tommaso Pendola) is the chapel of the Contrada della
Tartuca. This part of Siena is rich in charitable institutions. On
either side of the street is a great institute for the Deaf and Dumb,
and in the refectory of an old convent of the Poor Clares (now the
female side of the Institute) the Sisters of Charity show you a
beautiful fresco of the Last Supper with scenes from the Passion above.
It appears to be the work of some Sienese master of the latter part of
the Quattrocento, who had, perhaps, seen Andrea del Castagno's rendering
of the same theme in Santa Appollonia at Florence. The last house in the
Via Stalloreggi, on the left, is the one in which Duccio painted his
glorious masterpiece, and it was hither that the procession came, to
take it in triumph to its place beneath the cupola of the Duomo. Then we
pass out of the old city, under the Arco delle due Porte, into the
Piazza del Carmine, now a part of the Via Baldassare Peruzzi.
Public-domain text, read in full here on John Shaqi.
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