The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
Under the shadow of San Francesco rises the little oratory of his great
Sienese follower, San Bernardino. On the ground floor is a Madonna and
Child with St Ansanus and St Bartholomew, a beautiful early work of
Andrea del Brescianino. On the upper floor, in an antechapel, are a
Madonna by Sano di Pietro and a marble bas-relief, the Madonna with
Angels, signed by Agostino di Giovanni. The oratory itself is the
"Siena's Art-laboratory" of Robert Browning's _Pacchiarotto_ poem. Its
walls are covered by a series of frescoes by Bazzi, Girolamo del Pacchia
and Beccafumi, painted between 1518 and 1532, among the finest
achievements of these three masters, under a richly decorated roof of
the end of the Quattrocento by Giuliano Turapilli. On the left wall are:
St Louis of Anjou by Bazzi; the Nativity of the Madonna, by Pacchia,
showing Florentine influence; the Presentation in the Temple, by Bazzi;
the Sposalizio by Beccafumi; San Bernardino by Pacchia. On the altar
wall, between the Archangel and the Virgin of the Annunciation by
Pacchia, is a grandiose fresco by Beccafumi (painted in 1537, nearly
twenty years later than his other works here), representing the Madonna
and Child enthroned with Apostles, Franciscans, and Angels. On the right
wall are: St Antony of Padua, now ascribed to Pacchia; the Visitation by
Bazzi; the Death of the Blessed Virgin, with Angels and Apostles
clustering round, Christ rushing down from Heaven to receive her soul,
by Beccafumi; the Assumption and St Francis by Bazzi. Between the
windows is the Coronation of Mary in Heaven by the Blessed Trinity, with
the Baptist and Adam as assessors, also by Bazzi.
The little church of San Pietro Ovile contains two good early Sienese
paintings. On the right is the Annunciation with, above, the Crucifixion
between St Peter and St Paul; the central scene is a copy, with
variations and some change of sentiment, from the well-known picture by
Simone Martini and Lippo Memmi in the Uffizi. Opposite to it is a
Madonna and Child by Pietro Lorenzetti, between San Bernardino and the
Baptist by Matteo di Giovanni.
* * * * *
"Before you, magnificent and potent Lords, Lords Priors, Governors of
the Commune, and Captain of the People of Siena,"--thus begins a
petition of February 25th, 1465 (_i.e._ 1466)--"the least of your
children and servants, the Officers over the Adornment of your City,
with due reverence set forth that they are continually thinking how to
do what may be to the adorning of the city, especially on the Strada
Romana where pass the strangers who give praise to all the city."[154]
This
[Illustration: PIAZZA AND PALAZZO TOLOMEI]
Public-domain text, read in full here on John Shaqi.
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