The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
"Superficially," writes John Addington Symonds, "much of the present
charm of Siena consists in the soft opening valleys, the glimpses of
long blue hills and fertile country-side, framed by irregular brown
houses stretching along the slopes on which the town is built, and
losing themselves abruptly in olive fields and orchards. This element of
beauty, which brings the city into immediate relation with the country,
is indeed not peculiar to Siena. We find it in Perugia, in Assisi, in
Montepulciano, in nearly all the hill towns of Umbria and Tuscany. But
their landscape is often tragic and austere, while this is always suave.
City and country blend here in delightful amity. Neither yields that
sense of aloofness which stirs melancholy."[160]
We leave Siena by the Porta Fontebranda, along the way by which the
returning Noveschi crept up to the city walls on that fateful night
between July 21st and 22nd, 1487, turning back at intervals for the
varied glimpses of San Domenico with its huge red bulk and tower, or the
gleaming marbles of the Duomo. At the antimony works, where the road
divides, we take the way to the right, westwards. Presently we mount up
again, through lanes on either side that might almost be English--only,
when these break away, the silvery olives, the convents on the hills,
Siena's towers and the distant mountains remind us that we are in
Tuscany. "The most charming district in the immediate neighbourhood of
Siena," to quote Symonds once more, "lies westward, near Belcaro, a
villa high up on a hill. It is a region of deep lanes and golden-green
oak woods, with cypresses and stone-pines, and little streams in all
directions flowing over the brown sandstone. The country is like some
parts of rural England--Devonshire or Sussex. Not only is the sandstone
here, as there, broken into deep gullies; but the vegetation is much
the same. Tufted spleenwort, primroses, and broom tangle the hedges
under boughs of hornbeam and sweet-chestnut." The view of Siena behind
us gradually expands, as we mount up. When the little chapel is passed,
we keep to the right; presently an avenue of oaks and ilex-trees leads
to the villa, or castello, of Belcaro.
Public-domain text, read in full here on John Shaqi.
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