The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
Council, eight from each _terzo_ of the city, half from each order.[3]
But their rule became irksome to the more conservative section of the
nobles, who formed a rival party and strove to oust the _popolani_ from
power. In 1240 it came to blood, to adopt the Dantesque phrase. The
opponents of the new regime, headed by the Podestà, Manfredi da
Sassuolo, rose in arms; the people, led by a certain Aldobrandino di
Guido Cacciaconti, who is described as one of the "grandi del popolo di
Siena," and who was of an old feudal family, rallied round the
Twenty-four. The battle began in three places in the city. There was
fighting up and down the narrow streets; there was flaming of torches
and clashing of weapons round the palaces and towers. The Palazzo
Tolomei and the Palazzo Malavolti were burned, and after much
devastation and bloodshed, when many had fallen on either side, the
Twenty-four got the upper-hand, drove out a certain number of the
nobles, and appointed Aldobrandino Podestà. He was a strong and prudent
man, who put down disorder with a firm hand, and reconciled many of the
leaders of either party. In the comparative tranquillity that followed,
the streets and squares of Siena were paved for the first time. But the
struggle with Florence proved disastrous. The Sienese were forced to
make a disadvantageous peace, and, in 1255, there was an alliance
concluded between the rival republics, in the epoch of Guelf
predominance that followed the deaths of Frederick II. and King Conrad.
It was in this brief breathing space, of external peace and internal
tranquillity, that a knight of Siena, Messer Folcacchiero de'
Folcacchieri, wrote what was once thought to be the earliest extant
example of a regular canzone, describing his own hapless plight through
love: _Tutto lo mondo vive senza guerra_: "All the world is living
without war, yet I can find no peace." The constitution at this time
shows the usual bewildering number of separate councils that we find in
mediaeval Italian republics. The four Provveditori di Biccherna with
their Camarlingo still administered the revenues of the State, the
executive was in the hands of the Podestà and Captain. Laws were
discussed and approved in the General Council of the Campana, composed
of "three hundred good Catholics, not excommunicated nor suspected of
heresy." There was nominally a Parliament, which the Podestà and Captain
could not summon without the consent of two-thirds of the Council of the
Campana, and without previously explaining what they intended to
propose. But "the Twenty-four were the informing soul of the
constitution, and once a month they met in secret council without the
Podestà and Captain."[4]
Public-domain text, read in full here on John Shaqi.
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