"You would much better have been thinking of your prayers, naughty one,"
replied Pere Benedict, touching her hair lightly with his long, slender
fingers. "However, in order that you may not a second time fill your
mind with such questions I will tell you what I can about velvet
making."
With a sigh of pleasure Marie settled back onto the tiny stool at the
priest's feet.
They all loved to listen to the Father's tales.
"He is better than any story-book!" Pierre often declared.
"The first velvet we know anything about," began the Cure, "was probably
brought from India, where it must have been woven on hand-looms. When
the Greeks and Romans invaded the East, among other spoils they brought
back with them great webs of crimson velvet, with which they immediately
began to decorate their palaces. They had no idea how it was made, and
of course did not give it the name it now bears. Instead they called it
_Villosus_, meaning _shaggy hair_. It is from this quaint old term that
our modern word velvet is derived."
The children smiled.
"It was not strange they should have chosen that name, for you must
remember they had never seen woven material with a fur-like pile, or
nap, such as velvet has; and it must have puzzled them not a little. So
you see it is due to these conquests of the Orient that velvet found its
way into the world. As time went on the supply of velvet increased.
People in other places than India learned to make it. By the fourteenth
century it was extensively used for hangings in the churches of France
and Italy, and was also much seen at court. Robes of blue velvet
marvelously embroidered in gold, which evidently had been worn by church
dignitaries, have been found in an old French church, and are carefully
preserved as curiosities, since all the velvet of that period was either
black or of a crimson color. Now as lace-making was one of the arts of
the time, and as much wonderful hand-made lace was used on vestments and
altar-cloths, you can readily understand how velvet was a rare means of
showing it off, and became a favorite material for church use."
He paused thoughtfully.
"And not only did it rise in favor in the churches, but also kings,
queens, and noblemen purchased all of it they could afford, to adorn
themselves. It was far more expensive than silk, which at that early
date was very costly. In fact it is only since present day manufacture
has mastered the art of making velvet less expensively that its price
has lessened. Although some of the rare patterns and some of the
silkiest qualities are still made on hand-looms, the greater part of it
is now made by machinery. The coronation robes for the King and Queen of
England, for example, are always made on hand-looms."
"Is velvet hard to make, Father?" inquired Pierre.
Public-domain text, read in full here on John Shaqi.
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