The Story of Spanish PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Spanish Painting
Caffin, Charles H. (Charles Henry)
Painters -- Spain; Painting, Spanish
In the last sentence we have anticipated the national prostration of the
eighteenth century, following upon the exhaustion of the previous one.
It remains to summarise the events which intervened. Ferdinand and
Isabella were succeeded by their grandson, Charles I of Spain, better
known as the Emperor Charles V of Germany. He was the son of their
daughter, Joanna, who had been married to the Archduke Philip of
Austria, son of Emperor Maximilian of Germany. Thus Charles brought
Spain under the rule of the great Hapsburg family, which even to the
present time has provided monarchs for Germany and Austria. Joanna died
insane, and the taint of her disease clung to her descendants. Born in
Ghent in 1500 and educated in Flanders, Charles I at the death of his
father in 1506 inherited the Netherlands. On the death of Ferdinand in
1516 he became King of Spain, and in 1519 was elected Emperor of
Germany, the defeated competitor being Francis I of France. The rivalry
between these two led to a protracted war, fought out chiefly in Italy,
on the possession of which each had fastened his ambition. Francis was
made captive at the battle of Pavia in 1527 and forced into a treaty of
peace; but the war was renewed two years later and Charles’ troops under
the renegade Frenchman, Constable of Bourbon, entered Rome and sacked
it, taking the Pope prisoner. This, however, was but an incident in the
political game, for Charles, as became a grandson of the Catholic Kings,
was a staunch Defender of the Faith, and endeavored to impose it upon
his Protestant subjects in Germany and the Netherlands. For the good of
their souls he subjected them to the ravages of war and the horrors of
the Inquisition, and for the filling of his military chest mulcted them
by fines as well as taxation. Then at the age of fifty-five, exhausted
in mind and body by his heroic exertions on behalf of Catholicism and
his own ambitions, and by his various forms of self-indulgence, he
handed over the Imperial Crown to his brother, Ferdinand, and the
Kingdom of Spain and his “dear Netherlands” to his son, Philip. He
himself, under the plea of caring for his soul’s welfare, retired to the
monastery of San Juste, whence he continued to meddle with affairs of
State, meanwhile surfeiting his appetites and making a collection of
clocks and watches. His bedroom commanded a view of the High Altar of
the Church and was decorated with Titian’s _Gloria_, in which picture
the artist has represented the ex-Emperor in a white robe, welcomed by
the Virgin at the throne of God; while his hopeful son, Philip, is among
the mortals who gaze up devoutly at the imperial apotheosis.
Public-domain text, read in full here on John Shaqi.
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