The Story of Spanish PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Spanish Painting
Caffin, Charles H. (Charles Henry)
Painters -- Spain; Painting, Spanish
We get a glimpse here of a strangely individual personality, reserved
and proud, conscious of his destiny, working it out in a haughty
exclusiveness; wrapt up in high thoughts and cultivating in the
retirement of private life a rare refinement. In Toledo, then the
citadel of the Catholic Faith, so dominated by the dignitaries of the
Church that Philip II, who brooked no rivalry of power, was forced to
transfer his Court thence to Madrid, El Greco preserved the integrity of
his artistic faith and, by separating himself from outside influences,
maintained the independent sovereignty of his own ideals.
* * * * *
El Greco left a _View of Toledo_; a portrait, one would rather call it,
of a city’s appearance and her soul; a highly interpretative vision of
the impression of Toledo’s soul upon the spiritual imagination of the
artist. The view is from the hill beneath which the present railroad
station lies, and looks across the broken ground to the ravine of the
Tagus. In the middle distance toward the left it is spanned by the wide
arch and its narrower sister of the Alcántara bridge. Thence the line of
the city walls, interrupted by their Moorish towers, mount the citadel
hill to the group of buildings that crown the summit. The Alcázar and
the north tower of the cathedral stand conspicuously against a sky,
tumultuous with emotion and lit with large aspiring clouds. These, like
the architecture, catch the sharpest light, which elsewhere is
distributed in masses of lower tone; a union of quiet illumination and
of flashing sword-like brands of light, characteristic of so many of the
artist’s compositions, so suggestive of passionate inspiration.
How different from Venice of his youth, this rock-rooted fortress city
of the artist’s adoption! No less proudly aloof, but sternly and
strenuously exalted; straitened within tortuous limits; an apex once of
Moorish power and luxury, now of Catholic dominion and sumptuous
ecclesiastical ceremony; its dignitaries men of high and commanding
personality, its Cathedral famous throughout Spain as Toledo the Rich!
The chivalric fervor bred upon countless battlefields, glowed here in an
intense heat of religious mysticism. Her hidalgos, “sons of somebody,”
were among the proudest of their class, self-contained, austere, yet
fired with religious ecstasy. Toledo was at that time the soul of
Catholicism and of the high-bred Chivalry of Castile.
Public-domain text, read in full here on John Shaqi.
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