The Story of Spanish PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Spanish Painting
Caffin, Charles H. (Charles Henry)
Painters -- Spain; Painting, Spanish
The earliest inhabitants of the Peninsula are known as Iberians; with
whom about 500 B.C., a branch of the Celtic family became amalgamated.
These Celtiberians remained in undisputed possession of the country,
until they were drawn into the vortex that was stirred by the rivalry of
Rome and Carthage. The latter had planted colonies along the south
coast, and gradually extended her authority into the interior, dealing
as was her wont in a spirit of suspicion and brutality with the natives.
The Romans, hot on the trail of their traditional foe, at first suffered
decisive reverses. Then it was that Scipio the Younger offered himself
to the Senate and People of Rome as general of the war. His father and
uncle had been slain in battle in Spain; he desired to avenge their
deaths and to crush the enemies of Rome. Though only twenty-four years
of age he had the genius of a military leader and of a statesman. While
putting heart into the shattered ranks of the Roman veterans and leading
them victoriously against the Carthaginians, he adopted towards the
Spaniards a policy of confidence and conciliation which won them over to
a loyal acceptance of the Roman rule. A similar policy was practised by
Suetonius in later years, when Spain had become the battle ground of the
rival factions with which Rome was torn. It was continued by Julius
Cæsar when he fought out his fight with Pompey on Spanish soil, and
later by Augustus when, having become ruler of the Roman world, he
completed pacifically the conquest of Spain.
Henceforth Spain was the most favored, loyal and prosperous province of
the Empire. At first the Roman veterans, retiring from military service,
married Spanish women and settled down as farmers, introducing
gradually the order and scientific method for which the Romans are so
justly celebrated. The settled conditions, fertility of the soil, and
the beauty of the country in time attracted the wealth and culture of
the Capital. Spain became, like “The Province” in the South of France, a
field for capitalistic enterprise as well as a resort for those who
leaned toward a life of refined leisure. She throve in the arts and
sciences and became enriched with some of the finest evidences of the
Roman genius for engineering. Her wheatfields fed the proletariat of the
Capital and her sons reinforced the ranks of statesmen and men of
letters. She became, in the finest sense of the word, more Roman than
Italy herself. This period of splendid prosperity lasted for four
hundred years, until it was submerged, like the rest of Roman
civilization, by the flood of Gothic invasion.
Public-domain text, read in full here on John Shaqi.
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