The Story of Spanish PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Spanish Painting
Caffin, Charles H. (Charles Henry)
Painters -- Spain; Painting, Spanish
In less than a hundred years after the death of Mohammed the Moslem
faith had spread from Arabia through Syria and Asia Minor to Persia and
India, while Westward it had overrun Egypt and penetrated along the
northern shore of Africa to the Pillars of Hercules. Hence in 711 A.D.
it crossed into Spain. While the leaders, under the generalship of Musa,
viceroy of the Omayyad Caliphate of Damascus, were all Arabs, they had
enlisted in their army the warlike tribes of Mauritania, the ancient
kingdom now represented by Morocco and Algeria. Hence the name of Moors
(Mauri) which distinguishes the invaders of Spain. Twenty years sufficed
to make them masters of the Peninsula, the little northwestern country
of Asturias alone retaining its independence. Twenty years later
disintegration crept also into the ranks of the conquerors.
Abd-er-Rahman established an independent caliphate in Cordova. His
ambition was to raise it to a position in the Western world such as was
held by Bagdad, Damascus and Delhi in the East; furthermore to make
Cordova the Mecca of the faithful in the West. Thus was begun by this
Caliph the Mesquita or chief Mosque, which under succeeding Caliphs was
enlarged and beautified until it became a fitting monument of the ideals
of Islam in its period of most splendid pride and noblest enlightenment.
For nearly three hundred years Cordova was the center of an ordered
government, which not only fostered the refinement of the arts and
crafts in the cities and spread its network of highly organised
agricultural labor throughout the country districts, but also a
University of philosophy and science that made it the resort of
scholars, not only Moslem but Christian. Cordova, in fact, played a
conspicuously brilliant part in that phase of the Moslem ascendency
which is apt to be overlooked; its share in perpetuating and advancing
the Hellenic culture, which otherwise might have been lost in the Dark
Ages succeeding the fall of the Roman Empire.
Public-domain text, read in full here on John Shaqi.
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