Wherever the art-loving Roman fixed his abode he built his house, with
the wonderful Roman masonry, and furnished it with all the luxury and
art his refined taste suggested. Thus the country gradually assumed a
Roman aspect. Many towns and _vici_, or village settlements, sprang up
or increased in importance under Roman influence--Zurich, Aquæ (Baden
near Zurich), Kloten, Vindonissa, and others.[10] Yet the eastern
portion of the country could not compete in the matter of fine buildings
with the western cantons. Indeed, in the eastern districts the Helvetian
influence was never predominated over by the Latin influence, and the
Helvetians clung to their native speech despite the Latin tongue being
the official language.
But it was the mild and sunny west which most attracted the foreigner,
as it still does. Wealthy Romans settled in great numbers between Mount
Jura and the Pennine ranges. Every nook and corner of the Canton Vaud
bears even down to our days the stamp of Roman civilization. The shores
and sunny slopes of Geneva lake were strewn with villas, and the woody
strip of land between Villeneuve and Lausanne and Geneva was almost as
much in request for country seats by the great amongst the Romans as
that delightful stretch of coast on the Bay of Naples, from Posilippo
to Pozzuoli and Baiæ, where Cicero and Virgil, and many Romans of lesser
mark, had their _villegiatures_.
But the most remarkable place, whether for art, learning, or opulence,
was Aventicum, the Helvetian capital. Of this town some mention has been
made above, and, did space permit, a full description might well be
given of this truly magnificent and truly Roman city. Its theatre,
academy, senate-house, courts, palaces, baths, triumphal arches, and
private buildings were wonderful. Am. Marcellinus, the Roman writer, who
saw Aventicum shortly after its partial destruction by the Alamanni,
greatly admired its palace's and temples, even in their semi-ruinous
condition. The city next in beauty and size was Augusta Rauracorum
(Basel Augst), where the ruins of a vast amphitheatre still command our
wondering admiration.
Public-domain text, read in full here on John Shaqi.
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