The printed letters or sound-signs which compose our alphabet are about
two thousand five hundred years old. "Roman type" we call them, and
rightly so, since from Italy they came. They vary only in slight degree
from the founts of the famous printers of the fifteenth century, these
being imitations of the beautiful "minuscule" (so called as being of
smaller size) manuscripts of four hundred years earlier. Minuscule
letters are cursive (_i.e._ running) forms of the curved letters about
an inch long called "uncials" (from Latin _uncia_, "an inch," or from
_uncus_, "crooked"), which were themselves derived from the Roman
letters of the Augustan age. These Roman capitals, to which those in
modern use among us correspond, "are practically identical with the
letters employed at Rome in the third century B.C.; such, for
instance, as are seen in the well-known inscriptions on the tombs of
the Scipios, now among the treasures of the Vatican. These, again, do
not differ very materially from forms used in the earliest existing
specimens of Latin writing, which may probably be referred to the end
of the fifth century B.C. Thus it appears that our English
alphabet is a member of that great Latin family of alphabets, whose
geographical extension was originally conterminous, or nearly so, with
the limits of the Western Empire, and afterwards with the ancient
obedience to the Roman See." (Canon Isaac Taylor's _History of the
Alphabet_, vol. i. p. 71.)
The age of our own alphabet being thus indicated, we may postpone
further remark on its lineal descent, and pass to inquiry into the
primitive forms of which all alphabets are the abbreviated descendants,
and also to reference to some primitive methods for which they are
substitutes.
A survey of the long period which this development covers shows four
well-marked stages, although in these, as in aught else appertaining
to man's history, there are no true lines of division. The making
of these, like the apparent lines of longitude and latitude of the
cartographer, is justified by their convenience. These stages are:--
(_a_) The MNEMONIC, or memory-aiding, when some tangible
object is used as a message, or for record, between people at a
distance, and also for the purpose of accrediting the messenger. As
will be seen, it borders on the _symbolic_; indeed, it anticipates that
stage.
(_b_) The PICTORIAL, in which a picture of the thing is given,
whereby at a glance it tells its own story.
(_c_) The IDEOGRAPHIC, in which the picture becomes
representative, _i.e._ is converted into a symbol.
(_d_) The PHONETIC, in which the picture becomes a phonogram,
or sound-representing sign. The phonogram may be--(1) _verbal_, _i.e._
a sound-sign for a whole word; (2) _syllabic_, _i.e._ a sound-sign for
syllables; or (3) _alphabetic_, a sound-sign for each letter.
To recapitulate stages (_b_), (_c_), and (_d_):--
In stage (_b_) the sign as eye-picture suggests the thing;
Public-domain text, read in full here on John Shaqi.
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