Now we come to Q and R, the letters which were mentioned above as those
probably coming from the head. Whether Q (koph) was derived from the
picture of the back view of the head and neck, or whether it represents
a knot, which, no doubt, was as important to navigators then as it is
now, is a mooted question. The Q sound is guttural and the tail of the
letter is supposed to indicate the throat sound. The Greeks soon
discarded “koppa,” as it was called, and the Romans went back to the
original source for their Q (koo).
The back view of the head is the unusual one, for as we look at the
drawing of the early races, or memory pictures, or the delineations of a
child of seven or eight we find they are almost without exception
profile pictures. The Phoenician “resh” represents the profile and shows
very little resemblance to a human being, although at first the features
may have been more clearly indicated. The Greeks, as was to be expected,
turned the letter around, and later, oddly enough, introduced a curve
making it exactly like the Roman letter P. The extra stroke which we
find in the Roman letter was no doubt due to the carelessness in
copying. They pronounced it R (air).
S
There is a common legend explaining S, the letter with the hissing
sound. Because of its curved shape and its hissing sound many people
believe it to be derived from a snake. Its real history is easily
followed from Phoenician “shin” or “sin” (teeth) to the present day. Its
form closely resembled our W. The Greeks made it perpendicular for their
“sigma” and the Romans simplified and curved it giving S (ess).
T
Our twentieth letter, T, is particularly interesting because it is
derived from “tahv” a mark or cross made by people who could not write,
and no doubt their signature frequently resembled it. We must not forget
that even Charlemagne and other kings of the middle ages had to make
their mark or trace their initials through stencil plates. The only
change of “tahv” to Greek “tau,” and to Roman T (tay) was the raising of
the cross bar.
U-V-Y
The letters U, V and Y were all taken from the letter “Upsilon,” and it
may have been derived from the queer Hebrew form of “Ayin” which closely
resembles Y. The letters U and V were interchangeable. Upsilon, known as
the “Samian letter,” was used by Pythagoras as an emblem to represent
the parting of the ways—the young man making a choice in life.
W
Our Anglo-Saxon forefathers contributed two letters, W (wen) and another
often confused with Y, called “thorn.” These were introduced during the
thirteenth century. The French always called the former letter double
vay, and in English it may be said to represent double U, as its name
indicates. The letter “thorn” had the value of the digraph “th,” and
“ye” in old English should be pronounced “the” like the definite
article.
X-Z
Public-domain text, read in full here on John Shaqi.
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