England -- Juvenile fiction; Fantasy literature; Siblings -- Juvenile fiction; Wishes -- Juvenile fiction
And the children were left alone in the justice-hall with the Queen of
Babylon and her ladies.
“There!” said the Queen, with a long sigh of relief. “_That’s_ over! I
couldn’t have done another stitch of justice if you’d offered me the
crown of Egypt! Now come into the garden, and we’ll have a nice, long,
cosy talk.”
She led them through long, narrow corridors whose walls they somehow
felt, were very, very thick, into a sort of garden courtyard. There
were thick shrubs closely planted, and roses were trained over
trellises, and made a pleasant shade—needed, indeed, for already the
sun was as hot as it is in England in August at the seaside.
Slaves spread cushions on a low, marble terrace, and a big man with a
smooth face served cool drink in cups of gold studded with beryls. He
drank a little from the Queen’s cup before handing it to her.
“That’s rather a nasty trick,” whispered Robert, who had been carefully
taught never to drink out of one of the nice, shiny, metal cups that
are chained to the London drinking fountains without first rinsing it
out thoroughly.
The Queen overheard him.
“Not at all,” said she. “Ritti-Marduk is a very clean man. And one has
to have _someone_ as taster, you know, because of poison.”
The word made the children feel rather creepy; but Ritti-Marduk had
tasted all the cups, so they felt pretty safe. The drink was
delicious—very cold, and tasting like lemonade and partly like penny
ices.
“Leave us,” said the Queen. And all the Court ladies, in their
beautiful, many-folded, many-coloured, fringed dresses, filed out
slowly, and the children were left alone with the Queen.
“Now,” she said, “tell me all about yourselves.”
They looked at each other.
“You, Bobs,” said Cyril.
“No—Anthea,” said Robert.
“No—you—Cyril,” said Anthea. “Don’t you remember how pleased the Queen
of India was when you told her all about us?”
Cyril muttered that it was all very well, and so it was. For when he
had told the tale of the Phœnix and the Carpet to the Ranee, it had
been only the truth—and all the truth that he had to tell. But now it
was not easy to tell a convincing story without mentioning the
Amulet—which, of course, it wouldn’t have done to mention—and without
owning that they were really living in London, about 2,500 years later
than the time they were talking in.
Cyril took refuge in the tale of the Psammead and its wonderful power
of making wishes come true. The children had never been able to tell
anyone before, and Cyril was surprised to find that the spell which
kept them silent in London did not work here. “Something to do with our
being in the Past, I suppose,” he said to himself.
“This is _most_ interesting,” said the Queen. “We must have this
Psammead for the banquet tonight. Its performance will be one of the
most popular turns in the whole programme. Where is it?”
Anthea explained that they did not know; also why it was that they did
not know.
Public-domain text, read in full here on John Shaqi.
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