My mother repeated the verses of the hymn simply, yet with a solemnity that was all the more impressive because there was no effort at elocutionary or dramatic effect. Yet there was sufficient variety in the recitation to avoid any approach to monotony. Thus she repeated the lines “O be swift, my soul, to answer Him, be jubilant, my feet!” with uplifted hands, a downward glance at her feet, and voice slightly raised. Her distinct enunciation and the clear, musical tones of a voice that never grew old, made the words audible even in a large auditorium. Her deeply serious manner, corresponding so well as it did with the solemn, prophetic words of the “Battle Hymn,” made the recitation very impressive. We saw before us the woman who had been privileged to speak the word for the hour, in the dark days of her country’s history. It was like seeing some priestess of old delivering the sacred oracle to her people. Though the message was repeated so many times, it never lost its power to stir the souls of those who heard it. It should be said that the habit of speaking very carefully, my mother formed early in life. Having a brother who stammered, she was very anxious to avoid that defect of speech. The beauty of her voice was due to its careful training in the Italian school of singing in her youth. Doubtless the habit of public speaking also tended to preserve it. She occasionally repeated “The Flag,” a more dramatic and more personal poem than the “Battle Hymn.” Her rendering of it, accordingly, was more dramatic. On public occasions my mother was often introduced as “The author of ‘The Battle Hymn of the Republic.’” Sometimes the introducer would, by mistake, substitute the name of another war song, good of its kind, but hardly to be compared with my mother’s hymn. She used to say, rather plaintively, that Miss Susan B. Anthony (the well-known suffrage leader) _would_ mix up the two songs, introducing her as “_The author of the ‘Battle Cry of Freedom.’_” It was a joy to her to be associated with the “Battle Hymn,” yet she sometimes grieved a little because this so greatly overshadowed all her other literary productions. She had labored long and earnestly with pen and voice, writing both prose and poetry which won commendation from her comrades in the world of letters. Hence she was glad to be remembered as the author, not only of her war lyric, but of other compositions as well.