The Story of the Hymns and TunesButterworth, Hezekiah
Religion
The Story of the Hymns and Tunes
Butterworth, Hezekiah
Hymns -- History and criticism; Religious poetry
The authorship of the tune to which the words were sung has been claimed
for Samuel Cowdell, a schoolmaster of Annapolis Valley, Nova Scotia,
1820, but the date of the lost tune was probably much earlier.
In the early days of New England, before the Indian missions had been
brought to an end by the sweeping away of the tribes, several fine hymns
were composed by educated Indians, and were used in the churches. The
best known is that beginning--
When shall we all meet again?
It was composed by three Indians at the planting of a memorial pine on
leaving Dartmouth College, where they had been studying. The lines
indicate an expectation of missionary life and work.
When shall we all meet again?
When shall we all meet again?
Oft shall glowing hope expire,
Oft shall wearied love retire,
Oft shall death and sorrow reign
Ere we all shall meet again.
Though in distant lands we sigh,
Parched beneath a burning sky,
Though the deep between us rolls,
Friendship shall unite our souls;
And in fancy's wide domain,
There we all shall meet again.
When these burnished locks are gray,
Thinned by many a toil-spent day,
When around this youthful pine
Moss shall creep and ivy twine,
(Long may this loved bower remain!)
Here may we all meet again.
When the dreams of life are fled,
When its wasted lamps are dead,
When in cold oblivion's shade
Beauty, health, and strength are laid,
Where immortal spirits reign,
There we all shall meet again.
This parting piece was sung in religious meetings as a hymn, like the
other once so common, but later,--
"When shall we meet again,
Meet ne'er to sever?"
--to a tune in B flat minor, excessively plaintive, and likely to sadden
an emotional singer or hearer to tears. The full harmony is found in the
_American Vocalist_, and the air is reprinted in the _Revivalist_
(1868). The fact that minor music is the natural Indian tone in song
makes it probable that the melody is as ancient as the hymn--though no
date is given for either.
Tradition says that nearly fifty years later the same three Indians were
providentially drawn to the spot where they parted, and met again, and
while they were together composed and sang another ode. Truth to tell,
however, it had only one note of gladness, and that was in the first
stanza:
Parted many a toil-spent year,
Pledged in youth to memory dear,
Still to friendship's magnet true,
We our social joys renew;
Bound by love's unsevered chain,
Here on earth we meet again.
The remaining three stanzas dwell principally on the ravages time has
made. The reunion ode of those stoical college classmates of a stoical
race could have been sung in the same B flat minor.
"AWAKED BY SINAI'S AWFUL SOUND."
Public-domain text, read in full here on John Shaqi.
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