This question appears very clearly when we ask about the child's acquisition of new acts of skill. We find him constantly learning, modifying his habits, refining his ways of doing things, becoming possessed of quite new and complex functions, such as speech, handwriting, etc. All these are intelligent activities; they are learned very gradually and with much effort and pains. It is one of the most important and interesting questions of all psychology to ask how he manages to bring the nervous and muscular systems under greater and greater control by his mind. How can he modify and gradually improve his "reactions"--as we call his responses to the things and situations about him--so as to act more and more intelligently? The answer seems to be that he proceeds by what has been called Experimenting. He does not simply do things because he has intelligence,--simply that is, because he sees how to do them without first learning how; that is the older and probably quite erroneous view of intelligence. The mind can not move the body simply by its fiat. No man can do that. Man, like the little animal, has to try things and keep on trying things, in order to find out the way they work and what their possibilities are. And each animal, man, beast, or bird has to do it for himself. Apart from the instinctive actions which the child does without knowing their value at all, and apart from the equally instinctive imitative way of doing them without aiming at learning more by the imitations, he proceeds in all cases to make experiments. Generally his experiments work through acts of imitation. He imitates what he sees some other creature do; or he imitates his own instinctive actions by setting up before him in his mind the memories of the earlier performance; or, yet again, after he has struck a fortunate combination, he repeats that imitatively. Thus, by the principle already spoken of, he stores up a great mass of Kinaesthetic Equivalents, which linger in memory, and enable him to act appropriately when the proper circumstances come in his way. He also gets what we have called Associations established between the acts and the pleasure or pain which they give, and so avoids the painful and repeats the pleasurable ones.