The Story of the Nations: PortugalStephens, H. Morse (Henry Morse)
History
The Story of the Nations: Portugal
Stephens, H. Morse (Henry Morse)
Portugal -- History
The character of Dom Sebastian was one of the most important factors in
bringing about the final overthrow of Portugal, and therefore deserves
some examination, the more especially as the nature of the Portuguese
monarchy was now entirely absolutist, owing to the wealth brought into
the private treasury of the king by the Asiatic trade, and his
consequent independence of the Cortes. The young king was rather German
than Portuguese in appearance, with his blue eyes and fair hair and his
face disfigured by the Hapsburg lip, and in his nature there was much of
the Teuton dreaminess and love of the marvellous, which impelled him to
take part in rash undertakings.[19] He was fond of solitude, and of
building up castles in the air, in which he always appeared as a
Christian hero exterminating the Mohammedans. For with his German
dreaminess he united a truly Spanish fanaticism. His tutor, Luis
Gonçalves da Camara, made him a bigot, and his governor, Dom Aleixo or
Alexis de Menezes, taught him to look upon warlike enterprise as the
chief aim of a monarch’s career, and the double teaching had inspired
him with crusading ardour. He was not likely to be satisfied like his
grandfather, John III., with showing his zeal for Christianity by
rigorous orthodoxy and systematic persecution at home, but longed rather
to unite war with religion, and to spread Christianity, like St. Louis
of France, by his sword. To fanaticism and warlike ambition he added an
obstinacy and imperiousness of character, which made him a tyrant. While
training himself from boyhood for war, he determined to train his people
also by issuing a sumptuary edict that none of his subjects might have
more than two dishes, and those of the simplest character, for their
meals, forgetting that no decree could alter the daily life of his
people. Lastly, with these characteristics he united a spirit of
profoundest melancholy, which is evident in his portraits and in all his
actions, a melancholy which seemed to presage his early and tragic
death, and is indicated by the motto he selected for himself:
“Un bel morir tutta la vita honora.”
Public-domain text, read in full here on John Shaqi.
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