The Story of the Philippines: Natural Riches, Industrial Resources, Statistics of Productions, Commerce and Population; The Laws, Habits, Customs, Scenery and Conditions of the Cuba of the East Indies and the Thousand Islands of the Archipelagoes of India and Hawaii, With Episodes of Their Early History; The Eldorado of the Orient; Personal Character Sketches of and Interviews with Admiral Dewey, General Merritt, General Aguinaldo and the Archbishop of Manila; History and Romance, Tragedies and Halstead, Murat
History
The Story of the Philippines: Natural Riches, Industrial Resources, Statistics of Productions, Commerce and Population; The Laws, Habits, Customs, Scenery and Conditions of the Cuba of the East Indies and the Thousand Islands of the Archipelagoes of India and Hawaii, With Episodes of Their Early History; The Eldorado of the Orient; Personal Character Sketches of and Interviews with Admiral Dewey, General Merritt, General Aguinaldo and the Archbishop of Manila; History and Romance, Tragedies and
Halstead, Murat
Cuba -- History -- 1810-1899; Dewey, George, 1837-1917; Philippines -- Description and travel; Philippines -- History -- Revolution, 1896-1898; Philippines -- Social life and customs -- 19th century; Puerto Rico -- History -- To 1898; Spanish-American War, 1898
The Admiral would be picked out by close attention as the origin of
some millions of pictures; but he is unlike as well as like them. Even
the best photographs do not do justice to his fine eyes, large, dark
and luminous, or to the solid mass of his head with iron-brown hair
tinged with gray. He is a larger man than the portraits indicate;
and his figure, while that of a strong man in good health and form and
well nourished, is not stout and, though full, is firm; and his step
has elasticity in it. His clean-shaven cheek and chin are massive, and
drawn on fine lines full of character--no fatty obscuration, no decline
of power; a stern but sunny and cloudless face--a good one for a place
in history; no show of indulgence, no wrinkles; not the pallor of
marble, rather the glint of bronze--the unabated force good for other
chapters of history. It would be extremely interesting to report the
talk of the Admiral; but there were two things about him that reminded
me of James G. Blaine, something of the vivid personality of the loved
and lost leader; something in his eye and his manner, more in the
startling candor with which he spoke of things it would be premature
to give the world, and, above all, the absence of all alarm about
being reported--the unconscious consciousness that one must know this
was private and no caution needed. A verbatim report of the Admiral
would, however, harm no one, signify high-toned candor and a certain
breezy simplicity in the treatment of momentous matters. Evidently
here was a man not posing, a hero because his character was heroic, a
genuine personage--not artificial, proclamatory, a picker of phrases,
but a doer of deeds that explain themselves; a man with imagination,
not fantastic but realistic, who must have had a vision during the
night after the May-day battle of what might be the great hereafter;
beholding under the southern constellations the gigantic shadow of
America, crowned with stars, with the archipelagoes of Asia under
her feet and broad and mighty destinies at command.
It was the next day that he anchored precisely where his famous ship
was swinging when I sat beside him; and his words to the representative
of three centuries of Spanish misrule had in them an uncontemplated
flash from the flint and steel of fixed purpose and imperial
force. "Fire another gun at my ships and I will destroy your city."
Public-domain text, read in full here on John Shaqi.
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