The story of the Rhinegold (Der Ring des Nibelungen) told for young people — John Shaqi
The story of the Rhinegold (Der Ring des Nibelungen) told for young peopleChapin, Anna Alice
General
The story of the Rhinegold (Der Ring des Nibelungen) told for young people
Chapin, Anna Alice
Operas -- Stories, plots, etc. -- Juvenile literature; Wagner, Richard, 1813-1883 -- Stories, plots, etc. -- Juvenile literature
“O Rhinegold! Rhinegold!” sang the weeping Rhine daughters. “We long
for your light. Trustful are those in the water; false are those above.”
[Music: Walhalla Motif]
Part II
THE WARRIOR GODDESS, or _DIE WALKÜRE_
[Music: Storm Motif]
PRELUDE
I shall now take a long leap in my story, going on to a time when the
gods had been happy in Walhalla for many years. Wotan alone felt dreary
forebodings, though, as yet, there were no real signs of any downfall
of the gods. So heavy were these presentiments that he began to fill
his halls with heroes able to defend Walhalla, if Alberich should
ever regain the Ring, and, keeping his word, storm the gates of the
gods’ palace. At Wotan’s command, his nine daughters, the Walküres (or
Warrior Goddesses) watched over all combats between heroes, carrying
those who were killed to Walhalla, where Friea’s smiles brought them to
life again.
And this was not the only strange thing that had come to pass since the
gods had entered their new palace.
Among Wotan’s descendants were a race of people called the Volsungs,
and at the time of which I am writing only two of them were alive,
a boy and a girl, who had been brought up from babyhood almost like
brother and sister, and who were very much alike, having the golden
hair of their ancestor Wotan, and eyes in which there was a curious
glitter, as bright as that of the snake’s glance.
Both were as beautiful as the sun, like all the Volsungs; both were
strong and warm-hearted and noble, and they loved each other as much as
though they had been really brother and sister.
While still very young, they became separated for years; for, while the
boy was out hunting, the girl, Sieglinde, was stolen away by a robber
named Hunding. She led a dreary life as the Robber’s servant, until she
became a woman. But she always felt confident that help would come to
her in time, because one night, at a feast given by Hunding, a stranger
had entered, robed in the rough garb of a wanderer, but with kingly
bearing. One of his eyes was missing. He had struck a sword into the
trunk of a great tree which grew up from the centre of Hunding’s house,
declaring that whoever could draw it out should have it for his own.
And all had tried their best, but the blade would not yield an inch.
[Illustration: A WARRIOR GODDESS]
Then the Wanderer had laughed and departed. But Sieglinde, thinking of
it dreamily, remembered that, while he had frowned on the others, he
had looked kindly on her; and, gazing at the sword, she began to feel,
after a while, that whoever could pull it forth would be her rescuer.
And so the years passed.
She did not know that the Wanderer had been none other than the first
father of all the race of Volsungs—Wotan, the king of the gods.
Public-domain text, read in full here on John Shaqi.
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