The story of the Rhinegold (Der Ring des Nibelungen) told for young peopleChapin, Anna Alice
General
The story of the Rhinegold (Der Ring des Nibelungen) told for young people
Chapin, Anna Alice
Operas -- Stories, plots, etc. -- Juvenile literature; Wagner, Richard, 1813-1883 -- Stories, plots, etc. -- Juvenile literature
As for Siegfried, the only thing he wondered at was that he ever went
back to the cave at all. Why did he not roam away forever into the
forest, search out that far, strange place called the world, that
really seemed as if it must be a different universe from the one in
which he lived? He could not tell. He only knew that a strange,
irresistible something seemed to draw him back to Mime’s side every
night—a something he could not explain or even understand. Meanwhile
time passed.
[Music: Motif of Forest Life, sometimes called Motif of Love Life]
[Music: Motif of the Forging of Nothung
“Nothung! Nothung! Notable Sword!”]
CHAPTER I
SIEGFRIED AND MIME
The cave was a dark one, but it was not altogether a bad place in
which to live. It was as lofty as a stately cathedral, and the Dwarf’s
forge, built on one side, lent a fitful red light and a little warmth
to the dim, cold atmosphere. Skins of animals gave it a semblance of
comfort; and, indeed, to a wild creature like Siegfried, it would have
been a most desirable home had it not been for the continual presence
of Mime. On the day on which I will open my story, Mime was sitting
on a low stool trying to fashion a sword which would not break in the
hands of the impetuous young Volsung, who, at that particular moment,
was, as usual, out in the woods with his friends, the wild beasts. As
he hammered, Mime grumbled crossly because he had to work forever with
swords that seemed of no use to the crazy boy, who insisted on smashing
them all, and racing off to the woods, merely demanding as he went a
better and a stronger weapon.
“There is a blade that he could not break,” muttered the Nibelung, as
he worked. “Nothung he would find firm in his hands, but I cannot weld
the splinters. Ah! if I could, I should be well repaid.” He paused, and
then went on, mysteriously murmuring to himself:
“Fafner, the great, wicked worm! Well guards he the Rhinegold. Only
Siegfried can overthrow him. This can only be done by Nothung, I feel
sure. And, alas! I cannot shape Nothung, the sword.”
He began to hammer once more, grumbling continually because Siegfried
insisted that he should make swords, and snarling with rage because
every weapon he forged fell to pieces in the boy’s strong hands.
Suddenly, from without, came a clear, merry voice, shouting a blithe
“Hoyho!” and the next moment in came Siegfried himself, leading a great
bear, which he had harnessed with a bit of rope.
“Ask the foolish smith if he has finished the sword, Bruin!” he cried
to the bear, and, holding back the great creature firmly, he pretended
to chase Mime, who, springing behind the anvil, cried, savagely:
“Take him away! I don’t want the bear! I have done my best with your
sword.”
“Good!” laughed the boy. “Good-bye, Bruin; run away,” and he freed the
great creature, sending him lumbering off into the woods again.
Public-domain text, read in full here on John Shaqi.
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