The story of the Rhinegold (Der Ring des Nibelungen) told for young peopleChapin, Anna Alice
General
The story of the Rhinegold (Der Ring des Nibelungen) told for young people
Chapin, Anna Alice
Operas -- Stories, plots, etc. -- Juvenile literature; Wagner, Richard, 1813-1883 -- Stories, plots, etc. -- Juvenile literature
Rodmar’s remaining sons, Fafnir and Regin, killed their father and
fought for the treasure. Fafnir obtained it, and, turning himself into
a monster-worm, went to Glistenheath (sometimes called Glittering
Hearth) to guard his wealth. Regin called upon Sigurd, a young hero,
to aid him, and, being a master-smith, forged for him a sharp sword
named Gram. Some versions give the forging of the sword to Sigurd,
but there are many sides to the story. The sword was sometimes called
Gram, and oftener Baldung, until Wagner gave it the more expressive
name of Nothung, or Needful. Prompted by Regin, Sigurd slew the Dragon
at Glistenheath, and, after tasting the blood by accident, was able to
understand the language of birds, and was told by two of Odin’s ravens
that Regin was treacherous. After slaying Regin, Sigurd rode away
with two bundles of the treasures slung across his horse’s back. He
found and awakened Brynhildr, a beautiful woman asleep in a house on a
hill. (She is known in the different tales in which she has figured as
Brynhildr, Brunhild, Brunehault, and Brünnhilde.) The next part of the
tale is most clearly set forth in the “Nibelungenlied,” an epic poem
in Middle High German dialect, containing a story—or, more correctly,
a series of stories—which originally belonged to the entire Teutonic
people. These have been found in multitudinous poems and sagas, from
those written by the ancient Norsemen, and most primitive in form,
to the modern books, essays, and poems of writers who have been
impressed with the interesting and picturesque aspects of the strange,
complicated old story. The “Nibelungenlied” itself deals rather with
the period of Christianity—with the knights and ladies of the time of
chivalry—than with the primeval gods and heroes of the Golden Age.
The substance of its contents may be found in the “Edda” and in the
“Thidrekssaga” (thirteenth century), and the original manuscripts of
the “Nibelungenlied” itself date from the thirteenth to the sixteenth
century.
The story contained in this poem is, briefly told, as follows:
Public-domain text, read in full here on John Shaqi.
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