The Story of the SirenForster, E. M. (Edward Morgan)
General
The Story of the Siren
Forster, E. M. (Edward Morgan)
English fiction -- 20th century; Italy -- Fiction; Mermaids -- Fiction; Short stories
The idea seemed good; and I improved it by saying I would be left
behind too, to lighten the boat. So the two of us were deposited
outside the little grotto on a great sunlit rock that guarded the
harmonies within. Let us call them blue, though they suggest rather the
spirit of what is clean, cleanliness passed from the domestic to the
sublime, the cleanliness of all the sea gathered together and radiating
light. The Blue Grotto at Capri contains only more blue water, not
bluer water. That colour and that spirit is the heritage of every cave
in the Mediterranean into which the sun can shine and the sea flow.
As soon as the boat left I realised how imprudent I had been to trust
myself on a sloping rock with an unknown Sicilian. With a jerk he
became alive, seizing my arm and saying "Go to the end of the Grotto
and I will show you something beautiful."
He made me jump off the rock on to the ledge over a dazzling crack of
sea, he drew me away from the light till I was standing on the tiny
beach of sand which emerged like powdered turquoise at the further end.
There he left me with his clothes, and returned swiftly to the summit
of the entrance-rock. For a moment he stood naked in the brilliant sun,
looking down at the spot where the book lay. Then he crossed himself,
raised his hands above his head, and dived.
If the book was wonderful, the man is past all description. His effect
was that of a silver statue, alive beneath the sea, through whom life
throbbed in blue and green. Something infinitely happy, infinitely
wise--but it was impossible that it should emerge from the depths
sunburnt and dripping, holding the note book on the Deist Controversy
between its teeth.
A gratuity is generally expected by those who bathe. Whatever I
offered, he was sure to want more, and I was disinclined for an
argument in a place so beautiful and also so solitary. It was a relief
that he should say in conversational tones "In a place like this one
might see the Siren."
I was delighted with him for thus falling into the key of his
surroundings. We had been left together in a magic world, apart from
all the commonplaces that are called reality, a world of blue whose
floor was the sea and whose walls and roof of rock trembled with the
sea's reflections. Here, only the fantastic would be tolerable, and it
was in that spirit that I echoed his words. "One might easily see the
Siren."
He watched me curiously while he dressed. I was parting the sticky
leaves of the note book as I sat on the strip of sand.
"Ah!" he said at last. "You may have read the little book that was
printed last year. Who would have thought that our Siren would have
given the foreigners pleasure!"
(I read it afterwards. Its account is, not unnaturally, incomplete, in
spite of there being a woodcut of the young person, and the words of
her song.)
"She comes out of this blue water, doesn't she," I suggested "and sits
on the rock at the entrance, combing her hair."
Public-domain text, read in full here on John Shaqi.
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