The Story of the Sun: New York, 1833-1918O'Brien, Frank Michael
History
The Story of the Sun: New York, 1833-1918
O'Brien, Frank Michael
Sun (New York, N.Y. : 1833)
No yellow journalist he, Dana! To paraphrase Webster, he smote the
rock of humanity, and abundant streams of literature rushed forth.
If he startled, he startled the intellect, not the eye. His appeals
were to the intelligence, the soul, the risibilities of man, and not
to his primitive passions. He believed that all the information, the
philosophy, and the humour of the world could be conveyed through the
type of a daily newspaper as surely as and much more broadly than they
had been conveyed through the various mediums of the old newspapers,
the encyclopedias, the novels, the pulpit, and the lecture platform.
When Dana attacked yellow journalism--the expressive phrase was
fastened in the language by Ervin Wardman, in the _Press_--it was in
the firm belief that this new journalism, the “journalism that did
things,” was doing the wrong thing; that it was breaking down the
magnificent structure that had been reared by himself and Greeley and
Raymond and Bennett and Hurlbut. This group had been possessed of
all the newspaper faculties and facilities. If yellow journalism had
been right, they would have raised it to its highest peak. Dana, who
knew better than any editor of his time what the public wanted, could
have produced a perfect yellow _Sun_; but he chose to print a golden
one. He wrought more genuine journalistic advance than any other man
in history. As Mr. Mitchell wrote of him in _McClure’s Magazine_ in
October, 1894, three years before Mr. Dana’s death:
The revolution which his genius and invention have wrought in
the methods of practical journalism in America during the past
twenty-five years can be estimated only by newspaper-makers.
His mind, always original, and unblunted and unwearied at
seventy-five, has been a prolific source of new ideas in the
art of gathering, presenting, and discussing attractively the
news of the world.
He is a radical and unterrified innovator, caring not a copper
for tradition or precedent when a change of method promises a
real improvement. Restlessness like his, without his genius,
discrimination, and honesty of purpose, scatters and loses
itself in mere whimsicalities or pettinesses; or else it
deliberately degrades the newspaper upon which it is exercised.
Public-domain text, read in full here on John Shaqi.
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