Fur trade -- North America; Northwest, Canadian -- History; Northwestern States -- History; Trapping
All day long, Koot goes from hedge to hedge, from runway to runway,
choosing always the places where natural barriers compel the rabbit to
take this path and no other, travelling if he can in a circle from his
cabin so that the last snare set will bring him back with many a zigzag
to the first snare made. If rabbits were plentiful--as they always were
in the fur country of the North except during one year in seven when an
epidemic spared the land from a rabbit pest--Koot's circuit of snares
would run for miles through the swamp. Traps for large game would be set
out so that the circuit would require only a day; but where rabbits are
numerous, the foragers that prey--wolf and wolverine and lynx and
bob-cat--will be numerous, too; and the trapper will not set out more
snares than he can visit twice a day. Noon--the Indian's hour of the
short shadow--is the best time for the first visit, nightfall, the time
of no shadow at all, for the second. If the trapper has no wooden door
to his cabin, and in it--instead of caching in a tree--keeps fish or
bacon that may attract marauding wolverine, he will very probably leave
his dogs on guard while he makes the round of the snares.
Finding tracks about the shack when he came back for his noonday meal,
Koot shouted sundry instructions into the mongrel's ear, emphasized them
with a moccasin kick, picked up the sack in which he carried bait,
twine, and traps, and set out in the evening to make the round of his
snares, unaccompanied by the dog. Rabbit after rabbit he found, gray and
white, hanging stiff and stark, dead from their own weight, strangled in
the twine snares. Snares were set anew, the game strung over his
shoulder, and Koot was walking through the gray gloaming for the cabin
when that strange sense of _feel_ told him that he was being followed.
What was it? Could it be the dog? He whistled--he called it by name.
In all the world, there is nothing so ghostly silent, so deathly quiet
as the swamp woods, muffled in the snow of midwinter, just at nightfall.
By day, the grouse may utter a lonely cluck-cluck, or the snowbuntings
chirrup and twitter and flutter from drift to hedge-top, or the saucy
jay shriek some scolding impudence. A squirrel may chatter out his noisy
protest at some thief for approaching the nuts which lie cached under
the rotten leaves at the foot of the tree, or the sun-warmth may set the
melting snow showering from the swan's-down branches with a patter like
rain. But at nightfall the frost has stilled the drip of thaw. Squirrel
and bird are wrapped in the utter quiet of a gray darkness. And the
marauders that fill midnight with sharp bark, shrill trembling scream,
deep baying over the snow are not yet abroad in the woods. All is
shadowless--stillness--a quiet that is audible.
Public-domain text, read in full here on John Shaqi.
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