Verona (Italy) -- Description and travel; Verona (Italy) -- History
and damaged frescoes are all that is left of the decoration once
lavished on this house by Andrea Mantegna. Opposite in the little square
of S. Micheletto stands a column surmounted by a lamb, placed there to
mark that at one time the Guild of Wool--“Arte della Lana”--whose device
was a lamb bearing a banner, had their offices there. Immediately beside
the column stands the Palazzo Carlotti, a handsome though somewhat heavy
edifice of the decadent period, with an ornate door set in a colonnade.
This is followed by the Casa Pozzoni, a palace of Venetian Gothic of the
fourteenth century, fine and well preserved. Facing it is a still finer
building, the Palazzo della Banca Nazionale, with beautiful balconies,
windows, and decorations, all good specimens of the best Renaissance
date. Further on is the Piazza dei S.S. Apostoli, where a statue to the
poet and patriot Aleardi (born in Verona in 1812) was put up in 1878,
the very year in which he died. The sculptor was Ugo Zannini, the same
who executed the statue to Dante in the Piazza dei Signori. Behind
Aleardi’s statue is the church of the S.S. Apostoli, with that of Sta.
Fosca and Sta. Teuteria annexed to it. These churches date from very
early times, that of the S.S. Apostoli being prior to the eleventh
century, and they bear to this day traces of the construction carried
out at so remote an epoch. The apse and the belfry are Romanesque; and
at the side of the belfry are some primitive stone sarcophagi that
belonged of old to three patrician families of Verona. The interior of
the church contains some fine Lombard-Byzantine decorations, and some
later ones of the Renaissance epoch. The Virgin Saints Sta. Fosca and
Sta. Teuteria--(and might one without undue levity or irreverence
venture to inquire if this latter were the patron saint of toy
terriers?) lie buried in the little church that bears their names. This
church is of even earlier date than that of the S.S. Apostoli, being
said to belong to the eighth century, and to have been consecrated in
751. There are tombs within it of the Bevilacqua family, whose palace
close by was designed by San Micheli, and is looked upon as one of his
masterpieces.
Public-domain text, read in full here on John Shaqi.
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