Verona (Italy) -- Description and travel; Verona (Italy) -- History
Opposite Aleardi’s statue and on the other side of the Corso Cavour is
the church of S. Lorenzo, which stands off from the street, and is
reached under an archway, which bears a figure of the saint aloft
holding his gridiron, and through a picturesque courtyard. It is said
that this church is built on the ruins of a Roman basilica dedicated
presumably to Venus, and that it dates from the fifth century. The plan
is altogether on the lines of the Roman basilicas, and consists of two
tiers, the upper one having been set apart for the use of the women.
This again was split up into compartments, one being for the virgins,
another for the widows, and another for the matrons. The style of this
church is Roman-Lombardesque, and in spite of a good deal of misdirected
zeal and modern renovation there is much to admire in the building. The
plans for restoring it to its original condition are also to be admired
and encouraged, and one can but wish success to Don Pietro Scapini, the
worthy vicar of the church, for his schemes for lowering the floor to
its former level, and for other designs calculated to add to the beauty
and interest of the old church of S. Lorenzo. The round towers at the
west front are striking and characteristic. They led up formerly to the
women’s gallery, and have curious circular basements, not often to be
seen, though similar ones exist in one or two other places in Verona.
The round arches in the interior of S. Lorenzo are very fine; and the
alternate columns and pillars are of Veronese and foreign marbles and
have all differently ornamented capitals. The material of which the
church is chiefly built--“tufo” and brick--is very effective, and the
layers of alternate red and yellow form a mixture of colour at once
harmonious and peculiar. The discovery of frescoes on the walls points
strongly to the probability that once the church was all covered with
paintings; many doubtless having still to come to light, while others
have disappeared irretrievably. Above the high altar is a Madonna and
Child in the clouds by Domenico Brusasorci, with S.S. John and Lorenzo
below (1566).
Public-domain text, read in full here on John Shaqi.
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