Verona (Italy) -- Description and travel; Verona (Italy) -- History
some hired assassins in the room who had been concealed there by
Antonio’s orders. The murderers but waited till their victims were
buried in sleep. They then stole quietly from their recesses and stabbed
the weary hunters to death. Bartolomeo received no less than twenty-six
wounds in his breast, and the murderers, favoured by the silence and
darkness, proceeded to wrap the bodies in two black hooded mantles, and
then dragged them to the little square of Sta. Cecilia where they threw
them down close beside the Nogarola palace. The news of the murder
spread like wildfire through the city, and amid clamours of horror and
indignation the name of the assassin was eagerly demanded. Antonio
declared that his brother had been foully done to death at the
instigation of Malaspina and with the connivance of Nogarola, who had
willed in this manner to avenge an outrage committed on his daughter by
the murdered man. To give colour to his accusation he then proceeded to
order the arrest of Malaspina and Nogarola together with the maiden, and
caused them to be put to the torture so as to acknowledge their crime.
Not one of the victims confessed. They preferred death to perjury; and
the luckless girl succumbed to the agony of the rack sooner than declare
herself guilty of a sin which she had never committed. The assertion of
such innocence, even unto death, aroused the suspicions of the people,
and it was not long before Antonio was denounced as his brother’s
murderer. The fratricide was in too secure a position to suffer the
vengeance due to him, but the growing indignation and wrath throughout
the city made his life far from pleasant, and he deemed it prudent to
distract the thoughts of his subjects and to drown ugly facts and
recollections in scenes of revelry and feasting. He was betrothed to
Samaritana da Polenta, daughter of the lord of Ravenna, and he resolved
to make his bride’s reception in Verona the occasion for such merriment
as would drive out all remembrance of the past. Troops of gaily mounted
cavaliers rode out to meet the bride; others patrolled the town
imparting a sense of festivity, and preparing men’s mind for the welcome
that all were required to extend to the fair Samaritana. Her beauty is
said to have been extraordinary, and when she rode into the city in a
robe of dazzling whiteness covered with gems and seated on a magnificent
white steed, she was hailed with transports of delight. Courtiers,
heralds, pages and trumpeters preceded and followed her, flags waved
throughout the city, joyousness pervaded every heart, and the
recollection of the corpses wrapped in their grim sere cloths and crying
for vengeance seemed to have faded from the memory. For twenty-seven
days the revels lasted; and among the jousts which took place in the
Arena was one called the “Castle of Love,” a joust much in vogue at that
period. It consisted of an erection set up in the middle of the
Amphitheatre, and representing a rock which was covered with hangings of
Public-domain text, read in full here on John Shaqi.
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