Nor has modern criticism passed a milder judgment on Ezzelino. Symonds speaking of him in his history of _The Renaissance in Italy_, says: “Ezzelino, a small, pale, wiry man with terror in his face and enthusiasm for evil in his heart, lived a foe to luxury, cold to the pathos of children, dead to the enchantment of women. His one passion was the greed of power, heightened by the lust for blood. Originally a noble of the Veronese Marches, he founded his illegal authority upon the captaincy of the Imperial party delegated to him by Frederic. Verona, Vicenza, Padua, Feltre and Belluno made him their captain in the Ghibelline interest, conferring upon him judicial as well as military supremacy. How he fearfully abused his power, how a crusade was preached against him,[12] and how he died in silence like a boar at bay, rending from his wounds the dressings that his foes had placed to keep him alive are notorious matters of history.... Ezzelino made himself terrible not merely by executions and imprisonments, but also by mutilations and torments. When he captured Friola he caused the population, of all ages, sexes, and occupations, to be deprived of their eyes, noses, and legs, and to be cast forth to the mercy of the elements. On another occasion he walled up a family of princes in a castle and left them to die of famine. Wealth, eminence, and beauty attracted his displeasure no less than insubordination or disobedience. Nor was he less crafty than cruel. Sons betrayed their fathers, friends their comrades under the fallacious safeguard of his promises. A gigantic instance of his scheming was the coup-de-main by which he succeeded in entrapping 11,000 Paduan soldiers, only 200 of whom escaped the miseries of his prisons. Thus by his absolute contempt of law, his inordinate cruelty, his prolonged massacres, and his infliction of plagues upon whole peoples, Ezzelino established the ideal in Italy of a tyrant marching to his end by any means whatever.”[13]