The Story of Waitstill BaxterWiggin, Kate Douglas Smith
General
The Story of Waitstill Baxter
Wiggin, Kate Douglas Smith
Fathers and daughters -- Fiction; New England -- Social life and customs -- 19th century -- Fiction; Sisters -- Fiction
“Jed's 'bout right in sizin' up the Widder Tillman,” was Mr. Day's timid
contribution to the argument. “I ain't a readin' man, but from what
folks report I should think she was one o' them critters that set on
rocks bewilderin' an' bedevilin' men-folks out o' their senses--SYREENS,
I think they call 'em; a reg'lar SYREEN is what that woman is, I guess!”
“There, there, Abel, you wouldn't know a syreen if you found one in your
baked beans, so don't take away a woman's character on hearsay.” And
Mrs. Day, having shut up her husband as was her bounden duty as a wife
and a Christian, tied her bonnet strings a little tighter and looked
distinctly pleased with herself.
“Abel ain't startin' any new gossip,” was Aunt Abby's opinion, as she
sprung to his rescue. “One or two more holes in a colander don't make
much dif'rence.--Bartholomew, we're certainly goin' to be late this
mornin'; we're about the last team on the road”; and Aunt Abby glanced
nervously behind. “Elder Boone ain't begun the openin' prayer, though,
or we should know it. You can hear him pray a mile away, when the wind's
right. I do hate to be late to meetin'. The Elder allers takes notice;
the folks in the wing pews allers gapes an' stares, and the choir peeks
through the curtain, takin' notes of everything you've got on your back.
I hope to the land they'll chord and keep together a little mite better
'n they've done lately, that's all I can say! If the Lord is right in
our midst as the Bible says, He can't think much of our singers this
summer!”
“They're improvin', now that Pliny Waterhouse plays his fiddle,” Mrs.
Day remarked pacifically. “There was times in the anthem when they kept
together consid'able well last Sunday. They didn't always chord, but
there, they chorded some!--we're most there now, Abby, don't fret!
Cephas won't ring the last bell till he knows his own folks is crossin'
the Common!”
Those were days of conscientious church-going and every pew in the house
was crowded. The pulpit was built on pillars that raised it six feet
higher than the floor; the top was cushioned and covered with red velvet
surmounted by a huge gilt-edged Bible. There was a window in the tower
through which Cephas Cole could look into the church, and while tolling
the bell could keep watch for the minister. Always exactly on time, he
would come in, walk slowly up the right-hand aisle, mount the pulpit
stairs, enter and close the door after him. Then Cephas would give
one tremendous pull to warn loiterers on the steps; a pull that meant,
“Parson's in the pulpit!” and was acted upon accordingly. Opening the
big Bible, the minister raised his right hand impressively, and saying,
“Let us pray,” the whole congregation rose in their pews with a great
rustling and bowed their heads devoutly for the invocation.
Public-domain text, read in full here on John Shaqi.
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