On his return to England he was made Comptroller of the Customs of the
Port of London, on the understanding that he did all the accounts
himself, so important was it that this post should be filled by a man
who was both shrewd and honest; and in addition to this both the king
and John of Gaunt granted him certain allowances and privileges, so that
in worldly affairs he prospered. Good fortune, however, did not cause
him to become idle, and his poems followed each other in quick
succession. There was the "Assembly of Fowles," of course an allegory,
and written probably to celebrate the betrothal of young King Richard to
the Princess Anne of Bohemia.
"Troilus and Cresside" was a much deeper poem, full of sadness, and
Chaucer himself called it his "little Tragedie," adding the hope that
one day God might send it to him to "write some Comedie." It is in this
work that he refers to the great difficulty with which he, in common
with the other writers of his day, had to contend—the unsettled state of
the language. The struggle as to whether the French or English tongue
should prevail had been a fierce one, but it was now in its last throes.
Chaucer, through his works, helped more than any one else to develop our
language as it is to-day, and strenuously avoided those "owre curyrows
termes which could not be understood of comyn people, and which in every
shire varied." But his own words show the difficulties which beset him.
"And for there is so great diversité
In English, and in writing of our tong,
So pray I God that none miswrite thee
Or thee mismetre for default of tong,
And red whereso thou be, or elles song,
That thou be understood, God I beseech."
And it is just because he wrote to be understood that the charm of
Chaucer’s style remains for ever fresh and entrancing.
In his "House of Fame" he had free scope for his pleasant wit,
especially when he tells of all he saw and heard in the "House of
Rumour," whither came shipmen, pilgrims, pardoners, couriers, and their
like, each bringing scraps of news, which, whether true or false, were
passed on, growing like a rolling snowball. He set fame at its true
value, and for himself only desires that in life he might be able to
"study and rite alway," while for the rest—
"It suffyceth me, as I were dedd,
That no wight have my name in honde,
I wot myself best how I stonde."
The "Legend of Good Women" was written in praise of all those maidens
and wives who loved truly and unchangingly.
Hitherto Chaucer, whose married life was not an altogether happy one,
had sung but little of love in its highest, purest form. But here, in a
prologue sparkling and radiant as the morning he describes, he tells us
how he went out to greet the daisy, the flower he loved, and would ever
love anew till his heart did die.
"Kneeling alway, til it uncloséd was
Upon the swetë, softë, swotë gras
That was with flourës swote embroidered all.
Public-domain text, read in full here on John Shaqi.
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