In 1833 there fell on him a stunning blow. Arthur Hallam, the friend
whom he had loved with an intense love, who was so full of exceptional
promise that every one with whom he came in contact believed the
greatest future was in store for him, died quite suddenly, and to
Tennyson it seemed as if from henceforth the very light of his life had
been snatched from him. Dark were the years that followed, rendered more
so by the fact that the young poet was very poor and saw no chance of
being able to marry the woman he loved. But gradually, as he "faced the
need of going forward and braving the struggle of life" (to use his own
words), a fuller understanding and a wider view opened out before him.
Sorrow and work together led him out of the valley. He produced several
volumes of short poems, each one showing more certainly his great poetic
sense, his gift of using musical and beautiful language, and each one,
too, making it clear from the subjects he chose, and his way of dealing
with them, that he himself, like the poet of whom he wrote—
"Saw thro’ life and death, thro’ good and ill,
... Thro’ his own soul,
The marvel of the Everlasting Will
An open scroll,
Before him lay."
Then came "The Princess," a longer work and a most delightful one, in
which Tennyson, many years in advance of public opinion, pleaded the
cause of women’s education, and showed that "Woman’s cause is man’s;
they rise or sink together;" and though "distinct in individualities,"
they must be "self-reverent each, and reverencing each," if they would
in all their powers dispense the harvest, "sowing the To-be."
Public-domain text, read in full here on John Shaqi.
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