In 1850 he published his greatest work, "In Memoriam," the poem which came straight from his own heart, and went as straight to the hearts of all who ached under some crushing, desolating blow. It told of his love for his dead friend, and how this very love led him onwards and upwards, away from his own selfish sorrow, away from despair and darkness, till with this larger hope there came faith in God and faith in man; the certainty that good must be the final goal of ill; the conviction that Love was the great power working in all and through all, destined in the end to conquer all. "In Memoriam" has been rightly called "the triumph of a great love." The work brought him fame if not fortune, and at last he was able to marry her "who brought into his life," he said, "the peace of God." A year later he was made Poet Laureate, and settled down to a quiet country life at Farringford. "Maud," and some of his war poems, "The Ode to the Duke of Wellington," and "The Charge of the Light Brigade," were included in his work of the next few years, and then came what he considered the most ambitious thing he had attempted, "The Idylls of the King." The old mysterious story of King Arthur and his knights had fascinated many a poet before him, and the romance of it all laid full hold on his imagination. Nay, more than this, for he saw beyond the fragmentary story, and each one of the characters, under his hand, stands out in a new light. Arthur, Galahad, Percival, Bedivere, Lancelot, Guinevere, Enid, and Elaine—how real they all become to us! How intensely vivid are the scenes unfolded before our eyes, how great and noble are the ideals of the true chivalry as distinguished from the false, towards which Tennyson leads us, reverence for conscience, faithfulness to duty, pure-heartedness, love of truth, fear of sin, courtesy, gentleness, courage, pity, and forgiveness.