The north side of the street is the poorer of the two. Beginning at the western end on the south side, we have the New Oxford and Cambridge Club, the Guards, and the Oxford and Cambridge University Clubs. The first of these has a very massive entrance; the house has only a north aspect, the windows at the back being glazed with ground-glass so as not to overlook Marlborough House. A little further on is an old red-brick house with a portico on which is a female figure in bas-relief with palette and brushes. This is in great contrast to its neighbours; it is what remains (centre and west wing) of Schomberg House, built about the middle of the seventeenth century. The first Schomberg came over in the train of William of Orange; he was Count in his own country, bore several French titles, and was created an English Duke. He was killed at the Battle of the Boyne. The house was later occupied by Cumberland of Culloden, George III.'s uncle, and subsequently by Astley the painter. Astley divided it into three parts, reserving the centre for his own use. Among the tenants who succeeded him we find the names of Cosway, Paine the bookseller, and Nathaniel Hone. In the western wing Gainsborough lived, so the building has every right to its distinguishing panel of palette and brushes. During Gainsborough's occupancy everyone of wealth, beauty or fashion in the society of the day resorted here to have their features immortalized. This house is now part of the War Office, which, in a previous stage of its career, was the Ordnance Office. The entrance to the War Office stands back behind a courtyard in which is a statue of Lord Herbert of Lea. The War Office was originally at the Horse Guards, and since its removal has gradually extended its premises by absorbing one house after another. We now come to a long series of clubs. The Carlton is rich in ornament, with polished granite columns decorating a front of Caen stone. The design was by Sydney Smirke, and is said to be founded on that of a Venetian palace. It contrasts with its neighbour, the Reform, which presents a breadth of plain surface broken only by little pediments over the windows. This was the work of Sir Charles Barry, and was copied from the Farnese Palace at Venice, of which the upper storey was the work of Michael Angelo. It is a dull, heavy-looking piece of work. On part of its site stood the house of Angerstein, a Russian merchant, whose collection of pictures formed the nucleus of our National Gallery. The Travellers', next door, also the work of Barry, is in an Italian style. One of the rules of this club is that no person shall be eligible for membership who shall not have travelled out of the British Isles at least 500 miles in a direct line from London.