The Strand Magazine, Vol. 01, No. 04 (April 1891)Various
General
The Strand Magazine, Vol. 01, No. 04 (April 1891)
Various
English literature -- Periodicals; Short stories, English -- Periodicals
"The Expectant Dog" is another example of the artist's merry moments.
The poodle was the property of the Hon. F. Byng, a distinguished member
of the Humane Society, and also prominent through his connection with
the Metropolitan Commission of Sewers. Landseer was dining with Mr.
Byng, when he was asked to make a little sketch of Mr. Byng himself.
This he immediately did by drawing that gentleman's favourite dog with
its head up a sewer in the midst of a puddle of water, and a rat making
a very speedy exit at its approach. The eminent Commissioner of Sewers
saw the joke at once, as did also his friends, and for many a long day
he was known by the nickname of "Poodle Byng."
We now turn to some works by Sir Joshua Reynolds, to which a history is
attached, and, in so doing, there occurs a somewhat curious incident,
which has the interest of connecting two of our greatest painters. Sir
Joshua's famous picture of "The Gleaners" shows one of the toilers of
the field carrying a bundle of wheat on her head. This figure was put
in, as the lady--Miss Potts--who posed as the model for it, happened
to be staying with her friends, the Macklins, where Sir Joshua was
staying also. Miss Potts was destined to become the mother of Sir
Edwin Landseer; for, some time afterwards, she met John Landseer,
loved and married him. In passing, it may be mentioned that Sir Joshua
is credited with having expressed the opinion that if an artist
painted four or five distinctly original subjects in his lifetime,
the achievement should be sufficient to satisfy the demands of the
expectant public. Hence he painted no fewer than a quartette of "The
Strawberry Girl," each single picture being as good as the others,
though probably the first one painted would be preferred for choice.
Any of them would easily fetch £2,000 or £3,000 each. We have
had the privilege of examining Sir Joshua's own ledgers, and in 1766 we
find that he was only receiving £150 for a whole length portrait,
£70 for half-length, £50 for a kit cat (36 in. x 25 in.), and
£30 for a head. Gainsborough received about the same figure.
Public-domain text, read in full here on John Shaqi.
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