Surely nothing can be more humorous than the fact of a man having his portrait painted, and, as the fashion in clothing changed, so having the latest thing in satin coat and flowered vest put on his figure! Yet this was actually done, and by the husband of the very lady who figures prominently in the preceding story. Mr. Musters was exceptionally eccentric. Not content with a picture of himself by Sir Joshua, he secured from time to time the services of another artist to re-clothe him up to date. Some years after his death, the canvas was submitted to a well-known expert, when the momentous question arose as to how it could possibly be a genuine Sir Joshua when the clothing was of a date some thirty years after the great artist had ceased to exist? The picture was put into the hands of a cleaner, when he, almost bewildered, sent a hasty message to the expert to say that all the clothes were gradually coming off! Part of the coat had disappeared, the flowers on the vest were fading, the fob of the watch-chain had gone. The whole truth was soon made evident, and very soon the old, though valuable, clothes were all found underneath, and Mr. Musters appeared in the proper costume of his day as Sir Joshua painted him. As such he is to be seen in our copy of the engraving from the picture. The works of Gainsborough are replete with anecdote. One incident is worthy of being chronicled as associating Sir Joshua Reynolds and this great artist together. It happened in 1782, when the two painters, to put it plainly, were not on speaking terms. At the Royal Academy of that year Gainsborough exhibited a picture, "Girl and Pigs." Sir Joshua was much impressed with it, and, as a token of his appreciation of unquestionable genius, and, we venture to think, possibly with a view to bringing about a renewal of friendship, purchased the work for £100. It would bring thousands now. The Earl of Carlisle possesses it. Gainsborough was generous to a high degree. When he was at Bath he was anxious to paint Quin, the actor, and in return for the sitting said that he would make him a present of the portrait. Quin refused. Gainsborough pleaded with him, and made use of these remarkable words: "If you will let me paint your portrait _I shall live for ever!_" The actor gave way, but today the picture preserves the memory of Quin. On one occasion Gainsborough actually gave half-a-dozen pictures to a Mr. Wiltshire, a carrier, who, "solely for the love of art," volunteered to convey one of his important canvases to London free of charge. These pictures were the price paid for the van hire, and two of them now hang in the National Gallery--"The Market Cart," and "The Parish Clerk."