As we were discussing the peculiar advantages of soliciting the services of the working man to meet his brother workman, the distant sound of the chapel organ was heard. Its echo came very sweetly through the corridor. It was the time of evening service. The dim glow from the lamps lent an air of solemnity to the little chapel, and when the service was over we remained behind for a few moments. I could just distinguish the altar steps of white, black and red--the Dante combination of colours--and the peaceful light from the moon streamed through the stained glass windows on to the oaken stalls, showing faintly the outlines of apostles and saints. One of these was put up in 1852, in remembrance of the Rev. Charles Dodgson, examining chaplain to Bishop Longley and the father of the author of "Alice in Wonderland." It was here in the morning that I witnessed the gathering together of twenty or thirty clerics, who were licensed to new curacies and livings. We left the chapel, and ascending the great oaken staircase entered the study. This is essentially a room for work. The book-shelves contain some thousands of volumes--the only photo about the place is that of a family group. In one corner of the room stands a tin box, in which are three volumes of autographs, and the pages of these valuable volumes may be gone through, and the autographs of nearly all the Archbishops and Bishops of England for the last 200 years may be seen, including Juxon, Bishop of London, who attended Charles I. on the scaffold. A book containing photographs of the churches in the diocese reveals that Bishop Longley--the first Bishop of Ripon--was of a distinctly practical character. He started this ingenious index to the state of his churches. As soon as any alteration is made in a place of worship it is photographed. This shows the Bishop at a glance exactly how his churches are progressing from an architectural point of view. [Illustration: THE DRAWING-ROOM. _From a Photo. by Elliott & Fry._]