"'Tunford Farm' was exhibited in the Royal Academy of 1834, and it now hangs in the National Gallery as one of the Vernon collection. That is sixty years ago, and I have never missed a year since, and hope to exhibit again this year." [Illustration: FIRST SKETCH FOR "THE MONARCH OF THE MEADOWS." BY T.S. COOPER, R.A.] "Tunford Farm"--a subject which Mr. Cooper has painted twice--created a great impression. There was no cattle painter then, and as Wilkie once remarked--and whenever Wilkie used to dine at Mr. Vernon's he would go up and look at the picture--"That's the man to fill the gap." The picture was very nearly turned out. It was chosen, but had got put aside. The gallery was already hung, and one of the Hanging Committee, Mr. Jones, R.A., positively had his own picture taken down and "Tunford Farm" put up in its place. This alone should tell of the excellence of the work. From that eventful day in '34 Mr. Cooper has gone on year by year substantiating his claim to be regarded as the finest painter of cattle this century has seen. It would be impossible to give a complete catalogue of his many works, his studies of cattle are countless. One or two examples of his genius are reproduced here--namely, "The Flock Master's Hope," "A Farm in East Kent," "Tunford Farm" (the second painting of the picture which realized so much for him), "The Brook in the Meadows," and the original sketch for "The Monarch of the Meadows," which was so mysteriously stolen in September, 1881. No artist has had his pictures more "counterfeited" than Mr. Cooper. He was so frequently asked to say if a picture was his or not, that at last he was obliged to charge a fee. According to Mr. Cooper's certificate book, during the last few years he has had 241 so-called Cooper works submitted to him, 219 out of which proved to be only copies! [Illustration: THE SIDNEY COOPER SCHOOL OF ART AND BIRTHPLACE. _From a Photo. by Elliot & Fry_.] I have referred in the early part of this paper to the great love Mr. Cooper had for his mother. When I said "Good-bye" to him it was with a promise--very happily and readily made--to stay for a moment at a certain spot in St. Peter's Street, Canterbury. There stands the Sidney Cooper School of Art--a school Mr. Cooper founded in 1870, giving gratuitous instruction to the students, and subsequently presented to the City of Canterbury in 1882. "I wanted the youth of Canterbury to have the shorthand of drawing--I had to find it out myself," Mr. Cooper told me. But there was another reason. At the banquet given in honour of the Royal Academician at his birthplace in October, 1870, Mr. Cooper rose and said:--